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This post/dispatch is being generated from a hotel room in Flagstaff, Arizona. The image suffers some by being neither scanned nor photoedited; but since it covers some unpretty truth, perhaps it’s so much the better.

Game Changer

Guys had shop and girls Home Ec
Astrophysicists went tech
Anthropologists did Mecca
Artists felt the figures beckon
Modern work’s on shaky decking
Miss a paycheck reap the wreckage
Endtime horsemen’s horses nicker

Sumup: All are born unemployed. Some become unemployed. And all eventually have unemployment thrust upon them. The silver lining is that we are more than our jobs, and meeting the challenge of learning that fact yields a far more spiritual reward than “Pay to the order of…”

A week ago my dear and wonderful friend of more than twenty-four years, Karen Wilkinson, was alive and well. Friday she was stricken and felled by a brain aneurysm. Monday they removed life support and, I infer, harvested what organs of hers they could use.

While she was still not technically dead, I tried feebly to do creative things. Here’s what I did on Sunday the 4th:

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The would-be poem seems finished but is not. After Karen died, I tried again, and wrote what I intend to read at the Caffeine Corridor poetry event tomorrow night:

fiddle away over and out

there was this girl in a jeans skirt in the spring of 1990
librarian glasses and face and demeanor like talia shire in rocky
but with a violin that spoke for her
boldly stepping into the sound of the livingroom band she’d just joined
and the girl and her fiddle turned three needy guitars into contrapuntal gold
at times trumping them with platinum

years later “roller derby queen” by jim croce reached new heights
when during the instrumental the sound crescendoed
and the fiddle did a trick of stringzipping into the stratosphere
followed by a beat of complete and magic silence
followed by the resumption of the raucous rollicking sound

the girl and her fiddle went with her piano-playing pal to jazz camp
and they grinned and grinned on their return

elsewhere in 2007
much of the band went to a cabin near grand lake colorado
played and played and sang and danced and snored and hiked and played and played
the promised moose never showed but the music flowed and made all all right
and the fiddler bent and swayed with that music and folded her excellence into it

her face focused transcendence
her rosined bow a dervish

sometimes she’d take the fiddle away from her chin and sing
because she wanted to hold voice-hands with the rest of us

and through a miracle of wishful thinking and overdub
i hear her voice and fiddle now together

Snow is falling here in Cottonwood. Earlier I had made up my mind to drive to the Village of Oak Creek to retrieve a CD a friend had burned for me, which I’d foolishly left in my drawer at work and forgotten to take home. (In my defense, I’d had an unexpected 12-hour shift…) But the falling snow convinces me, with little experience driving on snowy roads, to stay in the warm and cozy. I’ll get the CD tomorrow, and put it in the truck before my shift begins.

The moral of this non-story is that sometimes the best thing to do is no thing at all. Thus this page:

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Now let us be quite candid
Uplift & have & hold
Then we’ll be even-handed
Hubraics countermanded
It does no good to scold
Nonaction is an unflipped coin
Gong yet unbashed an unboinged boing

Incongruous scale has been used by artists from time immemorial to a few hours ago, when a place mat was enlarged beyond easy belief and put inside the orbit of the moon of a gas giant. The intention in this case is transportation away from Earthly, and human, concerns.

Spectral Sanctums

Surface and its tension are at times strange bedfellows
Placematting of orbital proportions and sensoria
Engendered for oblique kinaesthesia foster alien nation
Crucial to a viewpoint less anthropocentric
Tension and its surfaces disconnect intellect
Rationed rashness rekindles much adieu
ALtogetherness will bring us optimal pessimisms

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Denise’s family is visiting. Her granddaughter was drawing, and I offered her $2 to draw Dixon, the family dog. She accepted the challenge but declined payment. “How about this?” I counteroffered. “You draw Dixon, and I’ll draw whatever you want, and we’ll trade.” She asked for a cute pig. I asked for the pig’s name and she said Phillip. I drew this:

pig1

She drew this, and I’d say I got the better end of the bargain:

dixon1

Exchanging kid stuff proves to me that you’re NOT only a kid once. You can be a kid any time you draw pictures with another kid.

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Merry Christmas and Peace and Love to all who read these words, be you Christian or otherwise (I’m an Otherwise myself). May we all see a better year ahead.

Velvet Dreams

Vexacious times wear Trouble like a beard
Vicissitudes cause wars, most undeclared
Enchantments give a wish a wheel to steer
Events make crosses children borne must bear
Lieutenancies emerge in Fate’s fell spate
Love’s touch lends voice to scent we taste & see
Legalities help predators predate
Voracious carnivores still spare the pea
Victorious survivors sport the stoma
Ventricular caprice makes tragic trauma
Entranced botanicals enjoy the loam
Enhanced mechanicks find a shop & glom
The SATINED VISIONS steer us through the isthmus
Then make(s) The Presence present(s) here/now/Christmas

Note: “vexacious” and “mechanicks” are deliberate misspellings. They would drive my younger self crazy. I refer him, and you, to the “extended play” version of Ralph Waldo Emerson’s famous quotation about foolish consistency:

“A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines. With consistency a great soul has simply nothing to do. He may as well concern himself with his shadow on the wall. Speak what you think now in hard words, and to-morrow speak what to-morrow thinks in hard words again, though it contradict every thing you said to-day. — ‘Ah, so you shall be sure to be misunderstood.’ — Is it so bad, then, to be misunderstood? Pythagoras was misunderstood, and Socrates, and Jesus, and Luther, and Copernicus, and Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood.”

This post is inspired by Stephen Bishop’s song “On and On,” taking its title from one of its lyrics. Two other lyrical sections of the song are also quoted.

The song has stuck in my head for nearly forty years; I like it but it haunts me. I like the rarity of a man singing about a man crying who is not the man himself.  I also like its singer/songwriter, Stephen Bishop, who was billed “Cool Guy With Guitar” in the landmark comedy ANIMAL HOUSE. He was the one whose guitar was smashed to pieces by John Belushi’s Bluto, who handed the severed neck back to him with a sincere but I-had-to “Sorry.”

Toss Up My Heart words:

001

Though they’ll have Tito Puente there’ll be an empty seat at Hialeah
Of the 600 outmunitioned almost all died in Crimea
Such odd haphazard history may have you ask What For
Seek ye serendipity becomes my soul’s retort

See Where It Lands words:

Swollen willows weep–it’s offal
Section Eights have FILLED Golgotha
Every time stuff hits the fan
Each soul tries to understand
Evanescence–drifting sands

001Here is the consummate environmentalist. She fearlessly spoke out against the profligate use of pesticides, which she wisely renamed “biocides,” and her successful battle against the propaganda and dirty-dealing of such as DuPont was the single most important factor in the creation of the Environmental Protection Agency. Thanks to Wikipedia, YouTube, and any number of environmental websites on the Internet, her passionate voice may be heard instantly by anyone with computer access. Her message is just as timely as it was in 1962, the year of publication of her Silent Spring, whose title refers both to the loss of birdsong due to pesticide collateral damage and the potential Earthwide silence should the rapists of Mother Earth continue their fell practices.

I am working on a double-acrostic poem and page on her which will be the final needed ingredient for my manuscript of Natural Distractions, the poetry/image collection that I’ve been working on every day. Here is the work in progress:

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ETA on the completed manuscript, and with it the completed Rachel Carson page, is tomorrow morning. Upon its completion I’ll convey it to David Chorlton, a fine environmental defender in his own right, for editorial assistance. Stay tuned! [determined smile]

i walked up the gravel to quail run
toward where quail run becomes rio mesa

the glory of the verde valley spread before me
showing autumn’s startling trees on the rock backdrop of orangey reds

and then the land found my mind and offered a trade
i would be the land and the land would be me long as we could take it

thinking it was a mind game i said sure
and suddenly i was the valley

and since i was all the eyes of the valley i could be everywhere
looking above through a cooper’s hawk or on the jackrabbit ground

and being the ground as well and the rocks i the valley had such flex and heft
i the valley absorbed sunshine drew in cee-oh-two exhaled oxygen
slid fractionally on my tectonics blew my wind over my red rocks and swirled magic dust
clipclopped my delicate fawn’s hooves across beaverhead flats and
ran my fawn over
with a drunken trucker’s truck

and this made me aware of the ugly unaware i contained
the shove-aside dark human trolls planning and executing atrocities on my soil
the petrochemical seepage the pushpushpush dig and gouge and dump

and it was too much at once and with a jolt i was back in my body
and the land was back in itself

and i found that the land had left me a message not quite translatable
but including you must remember and find another way

Yesterday’s post included a page in progress, the double acrostic for which is “Reversals Rehearsal.” By sheer happenstance I put the page in a notepad from four years ago, and found to my amused startlement that back in August of 2010 I’d also done a reversal-oriented acrostic, “Rotarepo Reversal Lasrever Operator.” Here they are together, first the Then page and then the Just-Now (I finished “Reversals Rehearsal” less than three hours ago).

001

002Visually the first page seems more tepid and timid than the second one. On the other hand, the second page is more sloppy and jungly than the first one.

Here is the first one’s acrostic:

Rotorepo Reversal Lasrever Operator

Ravel played–fearlessly–upon the cello
Odd glides, and gearless, like a wheeling rap
Tor/Reveals & revs and Engine with a swelled toe
Anticipating fervor from the captor
Rejoindings are from spicy to vanilla
Ecstaticburgh to Dullsville Ajo, AZ to Monserrat
Processes under the aegis of Symmetry go
Oscillantly; the bulrushes wave in the mirror

Here’s the other:

Reversals Rehearsal

Roly-poly M E C H A N I S M S make the world go rounder
Even when you’re plummeting before you hit the ground you’re
Va–RRROOOOMED aloft as gear & motor sync & then enmesh
Exogenous as a woman wearing a caleche
ROUND the buswheels ROUND the corner ROUND the Sports Arena
Schwarzchild radii describe where relatives go tweener
As the whirling world revolves a visual précis
Lets lay & learned folk alike infer a starry sea
Sometimes celestial events turn starmass hyperreal

Curious that both poems involved a revving engine. The “rev” in Reversal, perhaps?