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There’s a group on Facebook that is revving up for a two-month stretch of daily artwork on an index card. This is known as the I.C.A.D. Challenge, and it runs June 1st through July 31st. Meanwhile, group members, including me who just joined, are warming up, some with one of the ten prompts the group leader has provided.

I got my feet wet yesterday with one of those prompts: “Make a doodle of your own name.” Today I did a prompt of my own inclinative devising: “Draw one of your personal heroes.” I drew Jack Kirby, using as photo source one of the photographs in the book KIRBY: KING OF THE COMICS by Mark Evanier. This book was loaned to me by Russ Kazmierczak, Jr., who, when he saw my index-carded Jack Kirby, urged me to post it. So here we are.

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It is Mother’s Day as this is being written. Jane Stoneman, my mother, was camera-shy when I asked to take a picture. But she had no objection to my sketching butterflies. The Butterfly is my mother’s totem creature. So this is an odd portrait of my mother, not from life, not psychological, but metaphysical.

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And here is another image. This one combines image and text, some hidden.

001-10Here are the words, hidden or not:

Balanced on a thermal puff
Undulant in gardens floral
Tethered to migration’s taxi
Thinned unto endangering
Extralocal through & through
Roving through this continent

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My last blog post, “A Ten-Poem Day,” included a scrambled-up version of the above portrait. i’d originally planned to switch images if and when Socorro gave me the go-ahead to post. now, though, I’m inclined to give Socorro a post of her own.

About eight years ago I saw an Internet ad for a social website that said “Under 50 Need Not Apply.” I was 52, and a site for over-50 folks sounded good. That site was the late, lamented eons.com. It was my first experience with social media. I didn’t do Facebook till much later.

One of the first things I found was a poetry group called Callling All Poets, which Socorro had created. I joined it and loved it, participating enthusiastically.

Her username on Eons was Pajarito. We called her PJ. She was, and is, encouraging, uplifting, and motherly. Not for her was the deconstructive critique, nor putdowns of any kind. Anyone wanting input on their writing need only ask; it would come by private message if potentially embarrassing.

Of course, a few times people joined who didn’t subscribe to the ethic of encouragement and uplift. I  remember two in particular. One was scathingly sarcastic; the other one was a legend in his own mind who wanted us all to benefit from his superior approach to poetry, and no other approach would do. Socorro dealt with them both with honest directness, first with a warning and then with the classic heave-ho. She has always stayed a nurturing course.

And when Eons foundered, Socorro took us to Facebook. Now we are Poets All Call, 70 members strong.

I’ve written hundreds of poems expressly for Socorro’s group. It is a nice nesty poet’s haven. And she is a wonderful leader and friend. I’ll always be grateful to her.

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Today, as most Tuesdays, I conducted “Title Tuesday,” wherein I supply five poem titles for the Facebook group Poets All Call, and anyone who wishes may take a title and run with it.

The deresolutioned drawing above is of the originator of Poets All Call. I sent her an instant message asking her if it would be OK to post the drawing but I have not heard from her. If she says Yes, I’ll put the resolved image next to the deresolutioned one. If she says No–but that is moot. She said Yes.

She is a leader in the best possible sense. The group is full of encouragement and camaraderie, and we all feel free to post challenges. That’s how “Title Tuesday” got started, in the eons.com based percursor to PAC, which was called Callling All Poets. (The three ells in Callling–that’s not a typo. Long story.)

In addition to posting titles, I invite group members to post titles of their own. Two did, five each. Before the afternoon was over I wrote poem #10.

I close with the poems I wrote. Thanks deeply to Socorro, group leader, and Genevieve and Denise (yes, that Denise) for the titles.The titles are in boldface.

is it the same one

a

love came a knockin sunday last
and i ast
“is it the same one as ’71
to ’79 and then over&done?
is it a heart-stoppin reely big dealie one
or will its stripes change jus like a chameleon?”
i knew the answer but blowin off steam
helps tell the diffrence tween substance n dream.

1

love and a river are never the same.
no one is praisable. no one’s to blame.

b

“well, love,” i then said,
“so bare is my thread
that i cannot afford all the knee squats n lunges,
n concrete awaited who’ve taken the plunges,
so scuse me for turnin around on my heel.
there’s no room for argument, wheel nor deal.”

2

some love’s sound and some love’s fractured,
some love’s true, some manufactured.

c

that was sunday. tuesday’s now.
there’s a heartache, i avow.

3

the love arrives unbidden
the love leaves traces deep
some scars are seen some hidden
some fantasies won’t keep
but we are not contriving
when sweethearts win our love
with waking-so-aliving
and feeling like a dove.

d

[silence]

4

[quiescent hum]

the windswept waltz

let us Dance to the Tune of the Amber-waved Breeze
let the Rustle of Wheat make us Weak in the Knees
let the Shiver of Wavelets make Ripples of Hope
and let Two windward Spirits join Souls and eLope.

(chorus)

the Waltz it is Windswept from Hither to Yon
and all Love and all Kindness is Windborne of Dawn.

if our Burdens are Many and Riches eLude
and the Path we must Take has turned Rutted and Rude
we will Face what will Come though our Cloak-cloth is Thinned
and look Forward to Respite on Welcoming Wind.

(chorus thrice)

Morning Star

A sliverous shard of near-New Moon
Tops the predawn horizon. It is a bow
With invisible pulled string and launchable arrow
Aimed by an invisible archer, Diana, huntress.
She aims

Not at the Morning Star, her recurrent companion,
But at consuming Sol whose blaze might engulf them both.

Might becomes Does.
The Morning Star, defeated by superior candlepower,
Disappears against a blue-becoming sky.

the crumbling criterion

it’s a bird
it’s a plane
it’s . . .

well, it’s what appears to be a human being
white male six four one ninety
wearing spandex in primary colors
with a symbol on chest and cape
and airborne with no visible means of support

and he was conceived by a boy and a boy
jerry for jerome and joe for joseph

the criterion was “super”
so first they made his skin hard his legs strong
and the rest of him strong as well
later “super” extended to everything from flight readiness
to gusty freezing breath

“super” may be short for “building superintendent”
or a prefix meaning “big” or “above” or “greater than”

had it not been for friedrich nietzsche
and then adolf hitler
two jewish kids from cleveland may never have given us superman
and such is the power of psychic alchemy
for hitler’s criterion “super” crumbled
and jerry’s and joe’s grew
truth justice and the american way
strong

seasons

salt the spring
then pepper summer
allspice takes a fall
the winter frosting sugar spun
as fabled revels have begun
unto a sprigged unlumbered wall
zing- &
hum-for-
all.

replacements

slice & saw & splice & sew
that’s a brand new knee you know

laptop tablet kindle nook
pulplessly transcend the book

online order flowers
click on st john’s wort–ship
who needs drugstore hours
who needs old school courtship

boots on ground make blood and bones
send in clowns and add the drones
what’d you say? they’re headed here?
nice knowing you. [they disappear.]

One Too Many

Battles of wills do
Make losers and winners
Wars head for hills too
That spark over dinners
Tempests may toss one
From teapot to street
Dustup and loss one
Admits in defeat
Heavy the heart is
Yet beats in despite
Lesson in part is
To win, do not fight.

inky fingers

as a reef is coraled
so a finger’s whorled.

as a soap is sobby
if it is your hobby
to mix ink with brayers
better say your prayers
sure as zings the slinky
fingers will get inky.

as a topping’s fudgy
paper will get smudgy.

as a playboy’s flirty
you will feel so dirty.

like pacquiao after drubbing
you will need envigored scrubbing.

hard to get hands squeaky clean.
don’t you panic. this will mean
no one’s perfect. you may borrow
inky pads for fun tomorrow!

The Colors of Possibility

Sienna and Umber raw or burnt promise
A communion with the earth.
Pthalocyanine blue delivers wintry chill.
The oxides may take you to a lumberjack camp,
So make sure alizarine crimson goes with you as well
For shirts and spillage.

Sky pilots seek the cerulean.
The lead-white-faction risks all for the creamy clouds
That titanium white fails to deliver.

And yellows are tricky. The possibilities
Often elude. Cadmium
Seems to necessarily include
Adulterants. Get your Naples and Lemon on,
And no matter what your painting teacher told you,
The possibilities are not endless
Without Black.

May Be Nothing

That little roughness off the shoulder
The pinching sensation when flexing forward
The premonition the distant wail
That undeliverable mail

A stain that won’t come off a plate
Scratching at 3:28
Dizziness when walking slowly
Dumpster odor full unholy

May be nothing may be little
May be supple may be brittle
May be stumbles may be slips

May be the Apocalypse

pat mcmahon 043015

Kids in the Valley of the Sun growing up in the late Fifties (or Sixties, or Seventies, or Eighties) were in a sense the luckiest kids on Earth. There was something on TV that was special beyond belief. Early on it was called “It’s Wallace?” and its name changed over time, but it was where you could see not only great cartoons but a fine ensemble cast. There was Wallace, the host–wore a polka-dot shirt and a funny hat, liked to sketch on an easel with Magic Marker, congenial and yet subversive–and there was Ladmo: tall guy, tall top hat, outrageously huge tie, rubber longface, sweet and gullible. And there was an insufferable Scottsdale upper-cruster with blonde locks, sometimes Dutch-boy straight, sometimes curly, dressed in mutant Little Lord Fauntleroy garb. That was Gerald. There was a delusional unsuper superhero who claimed to be able to rip apart phone books and crush uncrushable objects–but even the Ajo (population low, low, low) phone book was too much for him, and while he did manage to crush a Hostess Fruit Pie in his bare hand, it took all he had to do so. That was Captain Super.

And there was a salty old lady in a shawl with a glad eye for a gray-haired Phoenix cop. She told fairy tales that were not only fractured, but twisted. That was Aunt Maud. And a Gunsmokey guy without a clue. That was Marshall Good. And a dissipated, dispirited clown who demoed his bag of tricks, like a triple-take with nyuk-nyuks. That was Boffo the Clown, also known as Ozob the Clown. And there were many others.

All but the first two mentioned were performed by Pat McMahon, who, more than a decade before Saturday Night Live came to be, brought a Sybil-like spectrum of zany personalities to the service of sketch comedy. He had endless energy and he could improvise like nobody’s business. As Gerald he responded to boos from the kids in the studio audience with the pristinest of prissy hissy fits. “Public School brats!” he’d rage.

There were dozens of other characters. One attained national prominence via Steve Allen–the gargantuan-eyebrowed, juvenile-delinquent-haired Hub Kapp, who with his Wheels performed on Mr. Allen’s show in 1964. Interested parties need only do a search on “Steve Allen” “Hub Kapp” to find a video of their performances.

After Wallace, Ladmo and Gerald-et-al folded up their TV tent and transitioned to legend, Mr. McMahon had–and has–an enormously successful career as pitchman (examples: HBO, Ottawa University, Lennar Homes) and radio (KOOL 94.5) and TV-show host (Arizona TV). His body of work is enormous and impactive. One impact is on me, who at 60 years of age still have enough kid in my heart to think of Mr. McMahon’s endlessly inventive shenanigans and smile–and chuckle–and laugh out loud. So I mustered all the wherewithal I had to do this page of him.

Funny how this makes two limerick acrostics in a row. The limerick form does suit the subject’s Irishness. I was only able to directly reference two characters, but “Alakazam” evokes Wallace’s summoning of Captain Super with a magic wand. However, the Secret Word was not Alakazam, but “JUSTICE!”

Recipe for Success

Pour 3 cups of Alakazam
Add Maud-ified Honey Baked Ham–a
Teaspoon of Scoff…oh,
Mix well–fold in Boffo
Chill–heat–serve–enjoy: it’s Hot Damn

Yesterday I was looking at the Rotten Tomatoes movie-review website and the movie poster for  the comedy documentary MISERY LOVES COMEDY came up. It features the co-creator of SEINFELD (and admitted model for the character George Costanza), Larry David. He has a beautiful, open-countenanced grin on his face, and I was drawn to drawing it. As I drew it occurred to me that his name lends itself to a double acrostic of five lines. The next thing to occur was that a limerick has five lines. I’ve written hundreds of limericks. Why not one more?

Well, one reason why not, in this case, is that DAVID is a lousy right-side bookend for a limerick’s double acrostic. D and D end letters can easily be made to rhyme, but not with the third partner, A.

But LARRY, while a challenge, is doable. Many French words end in L and are pronounced with a long A. L and A and Y are mutually rhymeable. And with Cirque du Soleil partaking of skewed thinking, as does Larry David, the rhyming became an easy L A Y indeed. (Bad pun of the day. I am sorry, a little bit.)

And if my portraiture misses the mark a bit (I don’t think it does, but I’m not the person to ask; you are) I can always claim I didn’t draw Larry David, but David Larry. Same goes for the content of the limerick if it’s not such a good match.

Deriving from Cirque du SoleiL
Anonymous Nays to ye YeA
Vault over the barrieR
Inviting the carrieR
Deliver canned laffs to the fraY

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Whether dancing in diaphanous veils, or infusing a slam performance with her lovely singing voice, Crystal GKill is entertaining and astounding. I had the good fortune to run into her at a writing conference in Phoenix last weekend, and she graciously allowed me to take her picture for the purpose of doing this page.

Here are the words to the acrostic:

Crazed challenges make for a slam with zinG
Creation & performance make her sinG

Yet she’s outside the box, not by the booK
You’ll give her 10 to get another looK

Stirred audiences stand & cheer until

All accolades attest to her fine skill

Tomorrow is a special day. The Emma Thompson Project, Segment 6 of 6, will be published. I will then move on to other matters, and the magnificent Ms. Thompson may breathe a sigh of relief. (I’m NOT a stalker, but I seem to be playing one on WordPress. 🙂 )

Meanwhile, all but one of the images that follow may be considered in the same vein that a rocker’s bootlegs may. They are unofficial, not part of the Project, just “I didn’t go yet” loosening-up. The page with the sonnet, though, will play a part in Segment 6. If I can wrestle the sonnet into a less forced-seeming array, I will. But if not it will be on the final image word for word. It is a more ambitious job of wordsmithing than the one I did for Theodore Sturgeon: fourteen lines, iambic pentameter, double acrostic saying EMMA THOMPSON IS EXTRAORDINARY, mutant Petrarchan rhyme scheme, with exactly one of her past, present or future movies or series resident on every line. The extraordinary Emma Thompson, intuition says, must have an extraordinary sonnet.

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