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I was walking on a sidewalk in the heart of Phoenix, southbound on the west side of Third Street, South of McDowell but north of Portland, when I looked up and saw that both a work of art and a construction crane were in the field of view. And off to the right was Grace Lutheran Church, whose marquee invited virtual visitation via www dot graceinthecity dot com — an admirable choice of domain name.

With every footstep my perceived reality changed. Curiosity compelled an approach to the artwork.

It was not possible to get much closer due to the area being fenced off. But even a few footsteps change the perceived reality to include power lines over the image, and though they do not interfere much with the artwork, they enhance in an urban/infrastructure sort of way.

Continuing southbound brought the distant crane closer and closer. This necessitated more and more neck-tilting, which definitely alters the perceived reality of an arthritic 68-year-old man not currently taking pain medication.

On the left end the name DUNN is lit up. Because of my propensity for bad puns, I thought it might be better to leave the name unlit until the construction was finished.

What IS Reality, Friends? Wherever you are, you’ve just had a limited tour of a small section of sidewalk in downtown Phoenix, Arizona, USA, Earth, Sol system, non-lethal sector of the Galaxy we call the Milky Way, a name both extraordinarily inapt and spot-on. The images you have seen were altered with photoediting software to be less drab, but they also have improved detail, so the word Fakery both does and does not apply. What a wonderful time we live in, viewed from the aspect of the new superpower almost all of us have of being able to grab and shape Reality through the use of a pocket device.

My last thought for you takes us back to the beginning, a simple stroll down a city sidewalk, and the simple truth that the #1 factor of perceived reality is Proximity. Friends, a better reality awaits those who have the courage to approach it.

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One fateful day in the mid-1970s I had the extraordinary privilege of being in the same room with both Ansel Adams and Georgia O’Keeffe. They were in Tucson, where I was a student at the University of Arizona, for the opening of the U of A’s Center for Creative Photography. And they were attending a meet&greet in the lobby of the campus’s Museum of Art, right next door to the Art Building, where I spent a lot of time toiling at Painting and Life Drawing and Printmaking and such.

Ansel Adams was cheerful and accessible, a sort of out-of-uniform Santa Claus. Georgia O’Keeffe was different. Dresed in a floor-length black dress, she leaned tripodally on her blackcane, her deep-set eyes wide and glittering, not saying a word. She was tiny and looked quite frail.

But she did not SEEM frail. She radiated Power. Her gaze was like a wide-beam laser. The vibe was of her being all-seeing and all-knowing.

I was there about half an hour and in all that time the dozens of people in the room respected Ms. O’Keeffe’s space and silence. They made up for that soundless proximal vortex by flocking around Adams and peppering him with questions. He held forth jovially, magnificently. Nicest guy on Earth, in his element and in his moment.

Ms. O’Keeffe was in her element as well, in her realm of observation and contemplation. She reigned.

Not So Frail

Needles point to skin and coif. Omnipresence throws them off. For Truth is Power and talent Soars. A sense of Place is Boat and Oars. I owe this Georgia Peach some Soul.

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A few months and a seeming hundred years ago, I was living in Cottonwood, Arizona, and working at the front desk at Sedona Winds Independent Living Retirement Community in the Village of Oak Creek. Every 3-to-11 shift I worked part of my job was to create a new menu for the next day. When the dining room closed for the day I’d remove that day’s menus from the menu holders and then place the next day’s menus in the holders. We recycled some of the menus as scrap paper. Many of my posted images on this blog were created on the backs of those menu scraps.

One such remained unfinished at the time of my departure from Sedona Winds and subsequently from Cottonwood. I remember it had a swirly, flowing backdrop and some of a triple-acrostic poem entitled “Body of Work.” I thought of it as perhaps 80% finished and in need of a bit more structured image and a good punchline/last line for the poem.

After I finished the Pat McMahon page, I thought “Body of Work” would be a good one to finish. Alas, I have not been able to find it, though I looked every place it could possibly be. (Of course that’s not true, and I’ll probably smack my forehead with my hand when it turns up.) Lacking the original, I set about making another one. The above result bears almost no similarity to the original, nor should it–I’m different now, and have hundreds of hours more pencil work under my belt. The spirit is probably similar, though. It is an admonition to Produce. Not for the first time on this blog, I’ll print Thomas Carlyle’s famous quotation:

Produce! Produce! Were it but the pitifullest infinitesimal fraction of a Product, produce it, in God’s name! ’Tis the utmost thou hast in thee: out with it, then. Up, up! Whatsoever thy hand findeth to do, do it with thy whole might. Work while it is called To-day: for the Night cometh, wherein no man can work.

My grandfather, Paul L. Householder, gives us the other quotation, the one on my image: “Do the thing and you shall have the power.” Daydreams are good only to the extent that they raise yearning to the level of a need to accomplish. Soon or late the daydream must end and work be performed to make the daydream real.

At sixty years of age, my memory is starting to decay. My left elbow thinks it needs oil a la the Tin Woodsman, and my linework, I being left-handed, gets the occasional elbow yip sending my line askew. My eyesight is astigmatic enough to give me two full moons for the price of one. But I will Produce until my night cometh.

Image

I’m embarrassed, but not quite ashamed, to publish this one. It was done in haste and the drawing is crappy, but the idea is OK and the pun, though I say so myself, is elegant.

Here are the words:

Motivations vary. Some will give it tooth & claw
Even laying down a life for Flag & Ma & Pa
Money, bragging rights & buzz are ways of keeping power; breathe our last & always there’s a whiff of sweet & sour