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Years ago Robert Mitchum said something I never forgot, though I cannot quote him word for word. He said that he didn’t understand why there was such a thing as acting school. “It’s like trying to learn to be tall,” is close to what he said.

About a week ago I watched his performance in a late 70s version of The Big Sleep that also featured Candy Clark, Sarah Miles, and an ancient James Stewart. There was a lot of cavalier killing in the movie, and a silliness to it that I don’t remember from my reading of the book, but Mitchum made a superb Marlowe, and his face was aptly set in sleepy worldliness and knowledge of darkness. His acting was tall indeed.

Robt MITchum

Roguish slick as MIT

Oh so a.d. h.o.c

Battered flesh

that makes gals hum

Take a fee & fi fo fum

 

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This page has been hanging fire since a year ago March, and since I’ve got the breakthrough-I-hope HEIRLOOM TOMATOES and SUSAN GROCE, PRINTMAKER acrostics waiting in the wings, I thought it’d be a good warmup and character-builder to finish it. Chandler wrote detective fiction that was about more than slinky dames and flying bullets. John D. MacDonald and Michael Connelly, I am sure, would cheerfully acknowledge a debt to him.

Here are the words to the double acrostic:

Cull California for its Vine, its Creeper
Have Scheming Dames all lure for Loot: what Drama
And Big Sleep may not be for Big nor Sleepy
Nor Loveliness fare well when Tomcats tom
Detection with its Dicta and its Tao
Lets Danger threaten Life & Limb & Hymen
Entice, intrigue, inveigle–draw a Shroud
Rig Marlowe with a case as hard as Diamond

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Here are the words to the two acrostics:

Balladeers say woh woh woh
Æsop tells Behold & Lo
Learn if the response is no
Long promotions will abrade
Yell-less wisdom gives us aid

Beautiful Pacific isles–they’re anything but meh
Analoguing MYSTERY & dreams–think nature/khaki
Losing touch with things that count may lead us to inveigh
Interest in TRAVEL may enlaurel & enwreath

At the top left of this page is a halo hovering over the head of my friend of more than five years, Phoenix poet Victoria Hoyt. Below her head, and the origin of the arrow pointing to her, is my birthday message for her, which includes an apt quotation from Brian Hooker’s translation of Edmond Rostand’s famous play Cyrano de Bergerac, Act I, scene i. “The best friend and the bravest soul alive!” suits Victoria. She is true-blue loyal, a tough-love mother, sister, and friend, and the most honest and charming performance poet north of the South Pole.

A little over three years ago, I did a page exclusively about Victoria which ended up in my chapbook LIVES of the Eminent Poets of Greater Phoenix, Arizona, for which Victoria wrote the introduction. Her page came out like this:

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Lastly, there’s a note mentioning Raymond Chandler on the page. I got curious about what he looks like so I Wiki’d him. I found his face so intriguing that I did a sketch on the spot. Finally, I figured the double acrostic CHANDLER RAYMOND would work well if I made the final D double-long to facilitate a final couplet and make up for the one-character deficit in Raymond. Here’s yet another opportunity to collaborate with me: Write That Acrostic!

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