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This morning at 7:44 AM Russ Kazmierczak the text equivalent of a Bat-Signal to me and Birdie Birdashaw:

“Good morning, you guys free to hang and draw at Sip’s this morning?”

We were. We did. And it was a fine morning to hang and draw. And when I got home I took a look at one of the pics I’d taken of Birdie and Russ, and then drew some more.

I’m grateful that these two fine gentleman include me in some of their sessions. They’re both quite a bit younger than I am, and they’re doing a lot more of what they should be doing, creation-wise, than I did when I was their age. They keep it up and they’ll go places. And then I’ll show them this page and I’ll remind them that I fully recognized their potential a bit before the World did. 🙂

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buds abide & score a coup — or
iridesce & Gobsmack you
razzmatazz & comic sans
diving deep & clanging pans

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Breaking a fast of a night full of dreams In a well-conceived ripping of old-notion seams Haunts a bachelor’s kitchen with ethery steams And wreaks chop-happy havoc on thought-laden streams. In other words, when I woke up after dreaming about friendship and loyalty, with the (not original with me, I’m sure, but there it was, echoing away) phrase “some friendships never die until both friends have died” looping in my head, I lurched into the kitchen, found some items that would suit, and prepared a meal while looking with a strange lens at what I was doing.

Recently I read T. S. Eliot’s “The Waste Land.” I don’t pretend to fully understand it. There are helpful footnotes and biographical material in the edition I own (Penguin Classic, The Waste Land and other Poems, edited and with an introduction and notes by Frank Kermode, purchased at the amazing The Book House in St. Louis, Missouri, Eliot’s home town) but the sense of Eliot’s focus choices still eludes me. I see and touch the parts of his poetic elephant without getting a good, wide-angled, aerial-photography look at the elephant itself. Time, research and thought will take care of that, I trust. Meanwhile I’m in the kitchen, a bit sleep-befuddled, under a slight Eliot influence. As I start chopping the potato I think of how much better it would be to say “There’s more than one way to chop a potato” than “There’s more than one way to skin a cat.” Those poor cats!!! (In St. Louis I spent several days in the company of my cartoonist/poet friend Russ Kazmierczak and his significant other, the cat-adoring Missy Pruitt. I like cats myself, but Missy has devoted a portion of her life-energy to the welfare of cats on a scale beyond most of us.) (If T. S. Eliot had never existed, the play Cats would never have existed either, and Paul Newman would never have gotten up in his seat in the audience of “The Late Show with Letterman” and demanded, “Where the Hell are THE SINGING CATS??!” Thoughts don’t come out of nowhere.) (Russ K is a huge Letterman fan. I’m hoping this passage will bring him a smile. Russ is a huge Missy Pruitt fan too. If Eliot were writing this, he would make less sense but be much more eloquent.)

Anyway, I ended up chopping the potato unconventionally. I did half in thin slices of wedges, a third in discs, and the rest just a home-fries chopchop. And I made a staged potatoscape and thought of what potential the right painting of the scape would have in elbowing its way into the Museum of Modern Art.

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Potatoes need company. This one was accompanied by slow-sautéed scrambled eggs, topped by Mexican-style blend grated cheese and surprise guest red-pepper-enhanced hummus, applied to the surface of the melting cheese using a two-spoon technique I invented for the occasion. I’d never used hummus as an ingredient before, and I may not have if I hadn’t been addled by dreams and haunting Eliot allusions, but no regrets: it was just the right amount to add a red-peppery tang. Having eaten, I am now a slightly different person than I was before I woke: slightly better nourished both by foodstuffs and by eerie, arty, Eliot-laced musings. May you, Friends, find just the sustenance and musement you yourself need today!

Today Russ Kazmierczak, Karaoke Fanboy and creator of Amazing Arizona Comics, texted me while I was working on my latest page. Russ was letting me know that he had finished, and was printing, Volume 2 of the COVID-19 micropoems he’d written, with minor contributions from me.

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We bantered awhile (example: I told him about my latest Bad Pun, “Gatored Community,” and talked about how to get it to work), and then I showed Russ my work in progress, in steps as we texted:

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GB: Work in progress. Not much drawing left, but a boatload of dialog in word balloons…

RK: Looks great!

GB: Thanks. Good thing it doesn’t have to. 🙂 Gil Kane once discussed the “Little Orphan Annie” strip–said the artist may as well have been drawing lumps of coal. The illustration took a back seat to the word-ballooned story. Somehow that is comforting to me. 🙂

RK: Oh, I’ll hang my hat on that one!

GB: Ha–your drawing is quite serviceable. John Byrne Jr. with a touch of Fred Hembeck. –Only better, he hastened to add…

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GB: Now it’s just a race to the punchline. –Oh, and coming UP with a punchline…
I see I left out a parenthesis…

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GB: Then “And YOU are captain AND crew.” And then maybe “Where to?” Or “GO BIG or GO HOME–wait, you ARE home…” or “Bon Voyage…”

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GB: One thing I like about word balloons is they are composition-balancers.

RK: Absolutely, I wish I used them like that a bit more.

GB: And you can get playful with the tails…

RK: Definitely

GB: And sometimes tilt the words for dynamic angling. That’s rarely done in what I’ve seen. There’s a right-angle anality to almost all lettering…
…so when you throw that off the reader is a bit frissoned without knowing why.

RK: Definitely serves to reveal a disorientation in the speaker…or like you said to GIVE disorientation to the reader…only in comics art!

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GB: All done but the cleanup. And..you…were…there… 🙂

RK: Awesome to see and read the process! Thanks for sharing this

GB: That was fun! So, what DOES “n.e.s.” stand for?

RK: Boy…that could be a stumper…Neo Existential Sketch is the first to come to mind

GB: “Existential” IS a word in one of the candidates! Well done! –Hey, is it OK with you if I include this exchange of ours in my blog post?

RK: Ha! Awesome…and of course

GB: Great! Thanks!

RK: No problem!

GB: ETA 8pm. Or nine. Or next week? 🙂

RK: I’ll keep my eyes peeled

GB: Painful!

RK: Ha!

****

Here then, Friends, is how this one particular work (almost) came to be. I say Almost because there was more than Cleanup involved–a whole other stage, in fact. Next post is the Reveal!

Our narrator is joined by The Moon, or A Moon, anyway, singing “By the Light of the Silvery Me.”

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I thought it would also be fun to reveal the gloriously messy continuum that this sketchbook rests on:

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A Special Thanks to my lunaphilic friend Sylvia Frost is included. Sylvia is hyperaware of moonphase, and shares with her friends the moonrise time on days when the moon is full.

I’d also like to acknowledge the influence of Will Eisner, legendary creator of The Spirit and savvy comics businessman, whose book on sequential art is a treasure-trove of How To. So thanks also to my good friend Russ Kazmierczak, who gave me Eisner’s book in a karma-balancing bit of Sequential Art of its own–a long story that may eventually find its way into this blog.

Here is my artist’s conception of my good friend RussKaz. I went a little Doughy Van-Goghy with the oil pastels, both because Russ is a similarly coppery redhead and because with my yet-unease with the oil pastel medium I figured a vigorous ‘brush’work would help allay my clumsiness. Still have miles to go to get any proficiency at all in this medium, but this is better than the previous ones.

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The final vignette concerns Santa Claus’s psychic tussle with a mysterious menace who appears to be Native American. This staredown may have only one survivor.

There was more to my cover design than the four drawings I’ve posted. I embedded them in a template that includes the masthead/logo of AMAZING ARIZONA COMICS, and I also added a title and subtitle at the bottom, reading “SUMMER ALBUM ISSUE/featuring SPEED CAMERON, SANTA CLAUS, and their Friends & Foes.” Since AAC is Russ’s brainchild, I’ve encouraged him to make any changes to my drawings, design or title that he wishes. I frankly don’t know how the finished product is going to look–but I can hardly wait to find out.

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The story so far in Vignette 3: That despicable canine cad, Archie Wawa, has used cuffs as coercion to shanghai June Monsoon into a milkshake date at the 5 & Diner. Archie appears, and is, unpleased at the arrival of June’s friend and champion, Speed Cameron.

NOTE: The 5 & Diner is a popular 50s-style soda-fountain-type diner, variously located in the Valley of the Sun. Pictures of James Dean, Elvis, Marilyn Monroe, the Life Magazine cover showing a movie audience wearing 3D glasses, and loads of other memorabilia festoon their 16th Street/Colter location. My daughter Kate and I have been known to pop over there for cherry Cokes and burgers in the middle of the night, though it’s been a long time. I wish I were there right now.

ANOTHER NOTE: These images of vignette panels I’ve been posting were not scanned, but badly photographed for expedience’s sake on the day I sent Russ my cover design. I know Russ and his superstar colorist brother Kyle have a challenge ahead of them, finishing and colorizing my design, but they will be working from the scanned originals and not these unholy photoimages, thank Goodness.

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This is my drawing table, a gift from my parents on a Christmas sometime in the early 70s. It has been in Arizona, in Glendale and Phoenix and Cottonwood and the Village of Oak Creek in Sedona, and it has also been in Las Vegas, Nevada. I almost gave it away to someone for no other reason than that he had his stuff on it. I almost threw it piece by piece into the dumpster by my last apartment, faced with the prospect of having to U-Haul it to my new place. (I have just moved out of one apartment and into another one.) I am SO GLAD that luck and good sense and friendship conspired to keep it mine.

The lamp vise-gripped to the right edge of the table was part of the Christmas gift, and it works like a dream still. The stool and the fatigue mat were gifts from my former sweetheart Denise, and my gratitude to her continues. The banjo to the left of the table was another gift from my parents, and I gave it away once, hoping it would be well used; alas, the guy I gave it to never used it, so I took it back. (Alas, to this day I cannot play it.) The painting on the right is a superb nature study of butterfly and reflection by my dear friend and Confidante, Gen L (or E, depending). Another gift, and I am so grateful to be so gifted, and so egomaniacal to suggest that that has a double meaning. (I will play the I’m Just Kidding, Folks card if asked.)

But a crucial gift that keeps the table mine is of time, elbow grease, and the use of a magic red Pick-Em-Up Truck from my TRULY gifted friend, Russ Kazmierczak, Jr., creator of AMAZING ARIZONA COMICS. Russ and his truck moved my possessions entire from 35th Ave/Northern to 29th St/Indian School on two consecutive days. Russ offered me this help some weeks ago, when he found out I would be moving. When I took him up on it, he proved his rarity by cheerfully agreeing, showing up cheerfully on-time-or-early as agreed, co-muscling my stuff and Tetris-ing (his verb) it into the bed of the truck, and shlepping it to where it now belongs. Russ is a keeper, as his wonderful girlfriend Randi well knows. (And vice versa, as Russ well knows.)

So here’s to continuity: of Friendship, of Creativity, and of Love, of companions along the way past and present. Life is as good as we take it.

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At long, long last my Residential Drawing Station is operational, and I have many to thank. The fluorescent drawing-table lamp was a gift from my parents more than forty years ago. The pencil was part of a package of pencils given me by my then-wife, Joni, about eight years back. The light tablet, a marvelous surface to draw on, came on a Christmas from my then-sweetheart, Denise. The Captain America shield/eraser was a freebie acquired at the Jack Kirby Birthday Celebration, courtesy of my friend Russ Kazmierczak, Jr. The Bookmans goodie bag is from my fabulous Steady Girlfriend, Joy. And the coffee? The coffee was, is, and always will be a Gift From The Gods.

The work in progress is signed and dated today, and therefore must be finished by midnight tonight. Got to get cracking. Thanks so much, everyone!!