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Yesterday I was looking at the Rotten Tomatoes movie-review website and the movie poster for  the comedy documentary MISERY LOVES COMEDY came up. It features the co-creator of SEINFELD (and admitted model for the character George Costanza), Larry David. He has a beautiful, open-countenanced grin on his face, and I was drawn to drawing it. As I drew it occurred to me that his name lends itself to a double acrostic of five lines. The next thing to occur was that a limerick has five lines. I’ve written hundreds of limericks. Why not one more?

Well, one reason why not, in this case, is that DAVID is a lousy right-side bookend for a limerick’s double acrostic. D and D end letters can easily be made to rhyme, but not with the third partner, A.

But LARRY, while a challenge, is doable. Many French words end in L and are pronounced with a long A. L and A and Y are mutually rhymeable. And with Cirque du Soleil partaking of skewed thinking, as does Larry David, the rhyming became an easy L A Y indeed. (Bad pun of the day. I am sorry, a little bit.)

And if my portraiture misses the mark a bit (I don’t think it does, but I’m not the person to ask; you are) I can always claim I didn’t draw Larry David, but David Larry. Same goes for the content of the limerick if it’s not such a good match.

Deriving from Cirque du SoleiL
Anonymous Nays to ye YeA
Vault over the barrieR
Inviting the carrieR
Deliver canned laffs to the fraY

david larry 042815

001

Personal realities are malleable. Many of us believe to this day that Abraham Lincoln wrote the Gettysburg Address on the back of an envelope. Why should we not? We had it on the good authority of our schoolteachers. If you are reading this, and you believed that, I’m not going to change your life by telling you it’s not so, but you may have to make a minor adjustment in your reality if and when you find I’m telling the truth.

I’m glad I didn’t know the truth before just a few minutes ago. If I had, the above portrait would likely have not come to be. Here is the sequence: I was listening to an acoustic performance by Jackson Browne of “These Days” and then “Running on Empty.” This was after his induction into the Rock and Roll Hall of Fame (2004) but probably not by much. I thought of Suzanne Vega and “Luka,” probably because she and her song entered the public consciousness about the same time as JB’s “Lives in the Balance.” Watched a vid of “Luka” with lyrics and then “The story behind Luka.” (True: a nine-year-old boy named Luka lived upstairs from her; curiously, his last name was also Vega. False: he was not abused, to Suzanne Vega’s knowledge.) While watching “The story behind Luka” I realized that “Luka” was the only song of Suzanne Vega’s that I knew! That wasn’t right. So I found a vid of her doing “Solitude Standing,” then thrilled to her born-to-sing-folk voice, and then the impulse came to freeze the vid and do a quick portrait. Seeing an empty and torn envelope, I remembered Lincoln’s memorable scribbling on the back of such and thought, “Ms. Vega deserves that same quirky immortality–it’s perfect, isn’t it?–let’s see what happens.” (That is a paraphrase; I can’t remember what I was thinking, but that was the spirit of it.) The sketch went well. They so often don’t. I decided to post it on my blog, but I wanted details of Lincoln’s envelope. Then and only then did I discover that the envelope story was a myth.

So, weirdly, like an episode of Seinfeld, it all ties in. The real Luka wasn’t abused. The real Gettysburg Address was twofold: pencil on blue paper, and ink on White House stationery. (It also took two weeks to write, and not the handful of minutes the legend gave it.) Even my drawing is myth in a way: I jazzed up the drabness of pencil and grayness by using photo-editing to do a blue-tint color enhancement.

But the real Suzanne Vega has a real and beautiful voice, and if you’ve only heard “Luka,” you’d be in for a treat if you sought other songs of hers.