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This was a Friday morning for cooking breakfast of egg whites and Jimmy Dean Hot Sausage, drinking coffee, watching the YouTube video of Muhammad Ali and Zora Folley squaring off in 1967, and sketching. I either never knew or had forgotten that Folley was from Chandler, Arizona, about a 15-minute drive from where I live now.

I’m hoping to watch this fight again, on my TV instead of my phone, and sketch in much larger scale, then paint. This sketch doesn’t show Ali’s lightness on his feet, and there’s more to be done about a conveyance of the course of the fight. But based on the heap of conceived, but unexecuted projects that died on the vine, the likelihood is slight.

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Here’s a sketching exercise done after freezing the frame of a DVD I was watching. The wonderful fact is, an expert director and director of photography and cinematographer and costume designer and makeup department have all conspired to give the viewer, and the sketcher, an excellent composition and value array, for delectation. From that, the sketcher can report what she or he is seeiing, or play with it, or hybridize. This sketcher decided to focus on faces and gesture and leave out a few details.

A movie called GONE GIRL featured a bar called “The Bar.” Mention was made of the name of the bar being “meta,” which means self-referential in a self-aware sort of way, sort of. Meta’s been around for a while, as witness this first verse to the theme of “It’s Garry Shandling’s Show”:

This is the theme to Garry’s Show,
The theme to Garry’s show.
Garry called me up and asked if I would right his theme song.
I’m almost halfway finished,
How do you like it so far,
How do you like the theme to Garry’s Show.

So this is a pencil sketch featuring an acrostic of “Pencil Sketch.” It features Imogene Coca, who as a player in Sid Caesar’s “Your Show of Shows” performed in many a sketch. Apologies to the memory of Ms. Coca for such a sketchy description of such an outstanding comedic mind. Apologies, too, for an indecent attempt at caricature without reference to a photo source. This time round I elected to fly by the seat of my mind’s-eye pants and draw without looking at anything except the page.

Here are the words to the acrostic. Each line describes a sketch to be found on the page. Near the lower right-hand corner is a sketch of a pencil, which illustrates the double acrostic in heavy meta.

Party hats seen through refractive glass
Elephant sniffs at a whiskey flask
Nightstick next to an alley’s grate
Cat all tie-dyed per the dyer’s trait
Imogene Coca as a bumbling narc
Lastly–a profile of a matriarch

My own take on Meta is that being self-referential has its place, but self-REVerential–not so much.

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Above is a pencil drawing using not the point of the pencil but the edge. If you hold the pencil as if it were a snake you were handling, with the sharpened part of the pencil being the snake’s head, you’re ready to draw with the edge and not the point.

Below is a poem I wrote today. I write a lot of poetry that I don’t illustrate. (Title suggested by my ineffably transcendent Girlfriend, Denise…)

cool water

i toast
my tribe
and then
imbibe
o cool water

the sun
may scathe
but i
then bathe
with cool water

let’s walk
the lab
his paws
to dab
in cool water

the rain
is steady
your face
is ready
for cool water

row row
your boat
and let
it float
on cool water