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On Friday, August 28, I’ll be participating in a tribute to Jack Kirby conducted by Russ Kazmierczak, Jr. and featuring Steve Rude (!!!) So I’ve been doing some Kirby immersion, preparing for the event. One of Kirby’s creations was The Demon, who’d transform from the human with the incantation, “Leave, leave the form of man/Rise the Demon, Etrigan!” I always thought of him as a tortured soul. And in my novel attempt Auld Lang Synapse, I had an untortured soul who nonetheless was foredoomed from prebirth to be vastly different from his fellow human beings. His name was Noel the Fork.

Today, then, I did an odd mashup. I took the Excel grid upon which I constructed the sonnet encapsulation of Auld Lang Synapse, in acrostic form and strict as to characters/spaces per line, and did a line drawing of a creature that partakes both of Etrigan and Noel.

auld lang sonnet illo 082215

(First appearance: Facebook, Poets All Call group, 26 July 2015. Poet Joseph Arechavala had posted a challenge to “wrote about any subject in Shakespearean English.” I have lost count of the number of sonnets I have written, but I know it was well into the three-hundreds in 2010, so i’m confident that i’ve gone beyond “ccclxxiii” and may shoehorn this into the canon.)

sonnet ccclxxiv

when we are by possessions too possess’d
and risk a heart for diamonds and the like
that heart is sour’d. acquisitive unrest
gives satisfaction chase, but fails to strike.

yet when we are by love most full unraptur’d
and risk our life and fortune for such love
possessions immaterial are captur’d
and we are dyed with rainbows from above.

the risk of loss is real and in its season
that dreaded loss will come, if soon or late,
and though with wrenchéd heart we plead for reason
some life is reasonless; such is our fate.

with time we may enjoy what had been felt
and then into eternity we melt . . .

Today I’m going to a birthday pot luck for my poet friend Julie Elefante. I decided to write a sonnet dedicated to her. I thought that would be a good birthday present because, regardless of the quality of the sonnet, it would represent an expenditure of at least an hour of my life, which Julie is certainly worth, and more. But I had a little change left out of that hour, so I illustrated/calligraphed the last line of the sonnet.

god’s on it/godsonnet

to Julie Elefante

when god beheld the universe she’d wrought
it talked to her in many-colored voices,
it cheered and whined and folded want with lot,
and asked advice regarding need and choices.

then god, whilst folding towels and wreaking mayhem,
administered a word to undeservers.
the word was when, referring not to a.m.
but to creation’s dawn, its queues and servers.

then followed who and where, addressed to prey-ers,
who guaranteed a heated destination
with ‘prayer’ that preys on truth and mutes its sayers,
and god said why, and tried another station.

one final concept bubbled up to be
and god said what and proved her deity.

godsonnet2

Tomorrow is a special day. The Emma Thompson Project, Segment 6 of 6, will be published. I will then move on to other matters, and the magnificent Ms. Thompson may breathe a sigh of relief. (I’m NOT a stalker, but I seem to be playing one on WordPress. 🙂 )

Meanwhile, all but one of the images that follow may be considered in the same vein that a rocker’s bootlegs may. They are unofficial, not part of the Project, just “I didn’t go yet” loosening-up. The page with the sonnet, though, will play a part in Segment 6. If I can wrestle the sonnet into a less forced-seeming array, I will. But if not it will be on the final image word for word. It is a more ambitious job of wordsmithing than the one I did for Theodore Sturgeon: fourteen lines, iambic pentameter, double acrostic saying EMMA THOMPSON IS EXTRAORDINARY, mutant Petrarchan rhyme scheme, with exactly one of her past, present or future movies or series resident on every line. The extraordinary Emma Thompson, intuition says, must have an extraordinary sonnet.

emma fonts 041415emma costars 041415emma roles 041415

emma thompson is extraordinary 041415

I owe the first line to Henny Youngman–maybe. Not sure. I owe others to either/or/couldbe Mel Brooks, Shecky Greene, Myron Cohen, Shelly Berman, Foster Brooks, my brother Harold, my brother Brian, the playground at William C. Jack Elementary School, and who knows who else. I have no clue as to whether this has been done before, but I swear I have no prior knowledge that it has. At least one line is original with me, and I iambic-pentameterized and rhyme-schemed the whole thing, so sue me at your own risk. Sorry about the mild vulgarity. It’s my nature.

You Hear the One About the Sonnet? Rimed!

He hadn’t had a bite for weeks. I bit him.
You say there’s two holes in the ground? Well well.
That tree bark sure smells funny–must be shittim.
Spring sprung, fall fell, and summer? Hot as hell.

The chicken crossed the playground: other slide.
Milan suppository: innuendo.
Hey, Jekyll, you can run, but you can’t Hyde.
Take loud Viagra for diminuendo.

Hey, circumcise me–here’s a half-off coupon.
It’s black, white, red all over–sunburned zebra.
A shirt’s an awful thing to get your soup on.
My checkbook’s always balanced–it’s a Libra.

You stared and got run over? Them’s the brakes, deer.
A Bardic urinal instruction: Shakespeare.

Here’s a sonnet from 2008 based on a managerial nightmare I lived through in 1996. I had just gotten to the point when I could look back with amusement on those days when I’d wake up five days a week grinding my teeth and dreading the workday to come. It took 12 years, but it took well. [smile]

Meticulousness runs from stem to sternum
In certain Middle Magistrates. Such folk
Cry foul at Boo-Boos soon as they discern ’em;
Reek of their daily egg whites–that’s no yolk.
Of course they trust their hardcase reputation’ll
Manipulate their workers to docility.
Alas, instead, Psychosis Motivational
Nit-Pickery makes flare into Hostility.
An agile Agitator’s often stepped in
Gainsaying claims of fairness by The Boss;
Emotions sizzle–nuance may have crept in–
Mud, slung in haste, wreaks Havoc, Fear & Loss.
ENsuring Workplace Harmony’s a chore–
The bossing style that wins is–Less Is More.

001

This morning I wrangled with my mother about how she needs to come up to Cottonwood for a visit, and bring photos of my grandmother Caroline while she’s at it. She says I am a good noodge but no dice for now. (Here’s what A.Word.A.Day says about the etymology of “noodge”: “From Yiddish nudyen (to pester, bore), from Polish nudzic. The word developed a variant spelling ‘nudge’ under the influence of the English word ‘nudge’. A cousin of this word is nudnik (a boring pest). First recorded use: 1960.” The meaning they give is “To pester; to nag.”)

The thing is, I found this folder called “received” in my Hotmail. In the folder were many things I felt needed saving. Among them was this exchange with my mother, about six and a half years ago. “Caroline,” as I say, is my grandmother, Mom’s mom. She was much involved with the Los Angeles theatre scene, and had a close relationship with Josephine Dillon, Clark Gable’s first wife and acting coach. (More about her, and her and Gable, here: http://en.wikipedia.org/wiki/Josephine_Dillon ) My Uncle Paul says Caroline “discovered” Alan Ladd, and though Paul is often full of beans, I believe him on this one.

I don’t clearly remember, but I think what prompted the exchange was that I’d mentioned the sonnet I wrote about Caroline in phone conversation with Mom. The other sonnet I probably decided to throw in to lighten up the heaviness of Caroline’s.

Here, edited for formatting and “order of play,” but not for content, is the e-mail exchange:

*****

—–Original Message—–

From: Gary Bowers
Sent: Friday, April 04, 2008
To: Jane Stoneman
Subject: Poetry

Here’s the Caroline sonnet:

A Sonnet for Grandmother Caroline

My Mom was born of you in ’35,
And Uncle George emerged in 1940.
And then you died, and then I was alive,
And I have been Theatrical and Sporty,
And feel I owe you that, from what I’ve heard,
Ah, with such matters we don’t know enough—

May be in my beginning was your Word
And maybe therefore MY words aren’t too rough.
A grandchild has a tentacled inheritance

Meandering like ivy through the past
And though my Mother may have deigned to bear a dunce
A dunce can have his moments, can be cast
Ashore with some Survival tools marked Other
Attained, obtained, retained from Mother’s Mother.

And here’s the other one:

I’ve steered around this fourteen-line arenA
Near thirty years–sometimes it leaves me numB
To wrest the meaning from beneath Odd’s ThumB
Engagingly as Dawn on Sand VerbenA
Refreshingly as Eyesight cleared by LasiC
Laconically as sibilantic WinD
Omnivorously as a Glutton’s sinneD
Capriciously as Art Nouveau then BasiC
Until equivalents of Holes in OnE
Take form from all my Darkness Joy and GrieF
I’ll scriven by the Ream all my BelieF
Onto the Page unto my last All DonE
Nor do I feel Success so far–but CryinG
Should NEVER interfere with TryTryTryinG

Cheers,

Gary

From: Jane Stoneman
Sent: Saturday, April 05, 2008
To: Gary Bowers
Subject: RE: Poetry

Cried with Caroline.  Laughed with ABBACD.  1 – 2 – 3, Mom

*****

1 – 2 – 3 is family shorthand for “I love you.”

This morning Carla Z and I were doing a shift at the Village Gallery when two ebullient ladies walked in, looked around, asked if the prices were negotiable, and left. Other people came and went. Then these two ladies walk BACK into the Village Gallery and I say, “You look familiar. Were you here earlier?” and they say stuff like Yes and No and Evil Twins, eventually agreeing that it was indeed they who left and came back. I came back with a statement of gratitude that they were memorable enough that I didn’t just say “Hi, how are you?  Have you ever been to the Gallery before?” and the brunette of them said she was more grateful than I was. The blonde of them began trying on tops designed by Suzen B, founder of the Gallery in its present form.  She’d put one aside and I was intrigued by the color. I asked Carla, “What would you call this color? Taupe? How about Electric Taupe?” Well, that was a hit with Judy, who was the blonde. I then averred that I was a poet and I sometimes Googled phrases I thought I’d coined, invariably finding hundreds of thousands of usages. “Look that one up!” one of them said. “Can’t–I have an ancient flip-phone.”

Anyway, before they left with their merchandise, I’d committed to doing a rhyming poem with the following words and phrases:

heartmother
birthday
electric taupe
Judy
Ilyssa
Suzen’s Tops

I told them to wait a couple of days, then Google “electric taupe” and “birthday” together and they would find the poem I told them I would write.

freak freefolk in free fall

ilyssa of the big smile breezed on in
and in her wake a blonde-contrasting heartmother
whom some called judy modeled clothing. when
a birthday’d make its mention it would start other

celebratory beaming. suzen’s tops
of autumn’s glory–one, electric taupe–
then found their way on judy. bunny hops
made modeling such fun and play and hope.

eliciting ilyssa’s sage assistance
engendered no remonstrance nor remorse;
sedona freefolk vorticize a distance
with totemistic owl and hawk and horse.

the ladies chose, and spent, and left, and we
kept glowing, full of camaraderie.

Judy and Ilyssa, if you remembered, and searched, and found this, bless you. You brightened our day immensely!

Postscript: Two days after I posted this it occurred to me that I had access to an image and text about Suzen and her Tops. Behold:

suzen b

Here’s a link to the Real Thing: http://www.sedonalocalartists.com/suzen-brackell.html

Recently TIME Magazine profiled a retrospective of Jeff Koons. Mr. Koons is a good four months younger than I am, yet he’s seen work of his sold for a cool 58.4 million dollars. Once I sold a piece of mine for $250.00, but then the gallery took its 20%. Sigh.

It reminded me of this page, of a pioneer of not only Art but of an artist’s self-promotion:

001

Here are the words to the acrostic sonnet, with apologies for the clumsiness of Line 5:

What Picasso Had

Well, Pablo had a round head–that’s for starters;
His Bald and Bulbous Noggin was a Moon;
A gorgeous Harem–Demoiselles & Martyrs;
The cheek to make a napkin-drawn cartoon

Pay for three demoiselles’ Euro-Vacation;
Intensity of Focus . . . FEAR of Death . . .
Chicago’s streets to sculpt a Big Sensation;
A knack for Marketing with Every Breath.
Some envy his long life, his wealth, his Women,
Success like that some Art aspirants strive for;
Oh, nothing’s wrong with Fame to smile & swim in,

However, it’s unseemly to connive for.
Ahhh–I’ll not judge him. ART’ll; FATE’ll; GOD’ll;
Don’t know–but I won’t use him as a Model.

(Of behavior, that is. He was a real and true Jerk. See SURVIVING PICASSO for a taste of his Jerkiness, not to mention a stellar performance by Sir Anthony Hopkins. Quoth Wikipedia: “Picasso is shown as often not caring about other people’s feelings, firing his driver after a long period of service, and as a womanizer, saying that he can sleep with whomever he wants.”)