
Long ago T. S. Eliot said “Our beginnings never know our ends.” And much longer ago, legend has it, Alexander the Great anticipated the Indiana Jones scene where Indy, menaced by a guy brandishing a fearsome, whirling array of sword steel, shrugs, takes out his gun, and shoots the guy. But in Alexander’s case it was a complicated knot that no one had the wit and dexterity to untie. Alex shrugged, whipped out his sword, and hacked the knot into non-knottedness. It was both a naughty and an unknotty thing to do, but it solved the problem and left the rest of his afternoon free.
Earlier today I had a complicated work in progress, and showed Facebook and Instagram folks what I was up to, thus:

I captioned the above image with this: “Here’s a drawing in an early stage, with some photoediting. It might be called “non-objective” but human beings can’t help objectifying everything from cracks in the sidewalk to clouds in the sky. ‘That looks like…’ starts many a sentence in an art museum. Faced with the blank page, I asked my hand and carpenter’s pencil to show me something that evoked Energy and Connectivity. An hour later here we are, and the drawing is starting to tell me what it needs, and asking me: Remember the vapor trails out of White Sands? Remember the motion of the caterpillar’s tiny legs? Can you wrap a few tendrils around this form, and give that spiral over there a hint of majesty?”
Minutes later, my music-loving, fellow 2D artist friend Myra Smith responded: “I thought inner workings of a human ear,” and my instant, flip response was “Huh?” But even as I was being a smart-aleck, that potent phrase “inner workings” resonated, echoing between my human ears. I loved it as a title. And I loved it as a quick, Cut The Gordian Knot solution to the work in progress: superimpose a face on this swirly stuff, tweak the drawing a little, and call it a day.
My thanks to Myra for some superb, catalytic conversion.






