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fifty years ago i was in first love

we were intoxicated with each other

talked on the phone for hours about nothing

and we built a mythos around stuffed bears

and called each other “bear” too

read milne’s pooh books to each other

named members of her bear collection hair bear, bear hair, stranjber, the timid scare-bear, the red-capped festive bear, and so on

and sometimes the notes i wrote my sweetheart were in the persona of “annonamus bear”

signing the note “annonamus bear” and adding a couple of cartoon bear paws next to the signature

and always adding a postscript signed a. bear

.

alas, stupid choices and insane actions on my part led to the protracted ending of our relationship

and even five decades later occasional overwhelming regret wells up within me

and i hadn’t thought of annonamus bear at all this century

until today

for no reason I know

and here he is now, tiny, on my left shoulder

and except for “hi” he hasn’t said a word

but he implies plenty through his blackdot eyes

“don’t you miss the crazy magic?” say his eyes

“what good does frittering your day away in your unshared apartment do?” say his eyes

“learn from what you have loved” say his eyes

“this carnival ride will be over before you know it” say his eyes

.

alas, a. bear only knew me as a young pup and not as a sleepy, regretful old man

it’s a lot harder to find late-life love than his eyes say

but he has a point

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Here is the first page I’ve done since I moved to my new place. Much of it was done on the drawing table sketched in lower left. I do so feel more at Home, using my table.

The three acrostic takes on Home come from my recent move, my years of weight struggle, the tragedy in Orlando for which flags are now being flown half-mast, and that grab-bag feeling one gets when a lot is happening at once. But, for once, this page is not a dashed-off, gottagetitdone thing. I spent three days on it, and I hope it shows.


Awry Left Home

Avoirdupois and sleekness match
When you’ve a KEY and not a latch
O running Wafflers may make scream
Yet Value’s not in Hits nor Meme

away from home

a child lifts a stufféd pooh
whilst parents wonder what to do
as youngsters out for fun take aim
you need a someone whom to blame

Well Come Home

We go and cause the world to laugh
Enjoying Moo-Cow and Giraffe
O Laughter is a Marvel! I’m
Laugh-loutish till the end of TIME

. . . my own personal time, that is. “Steel in my heart, and laughter in my breast!” quoth Rostand’s Cyrano. 🙂

Image

Supposedly there are only a few stories, and we ring endless changes on them. I don’t think that’s true, or maybe it’s true to a crude extent only.

Mary Shelley’s FRANKENSTEIN, OR, THE MODERN PROMETHEUS is a cautionary tale, just as the original story of Prometheus was. Much more recently, “Blood Music” by Greg Bear takes the premise to a wonderfully horrifying extreme. An Internet search will lead the curious reader to a synopsis, and a more curious reader to the “gray goo” concept.

We are an increasingly synoptic culture. So many things demand our attention! Why, I myself am demanding your attention at this very moment! I better keep it brief!

Words:

SING, O MUSE, of summ’d-up stories
Yawners, t h r i l l e r s, allegory
Nasty fall or heartmelt gem
OMG-er: booze/buff/hemp
Parabol that’s fulla Pooh
Sappy RomCom: thrice-pitch’d woo
If/then/else in Kind or Mean
Sapience: Aye, THERE’s the key

I used “parabol” instead of “parable” to give a flavor of arc to the story.

“Pooh” does and does not refer to a certain Bear of Little Brain that I’ll always have fondness for, even though my hero Dorothy Parker scorned him and his chronicler.

“If/then/else” will be familiar to those who indulge, even to the slightest degree, in computer programming. “If/then/else,” I submit, is the distillation of Story to the barest of bones.

“Sapience” means Wisdom. Our species has the taxonomy “Homo sapiens.” Riiiiggggghhhht.