As wire “quadrifoaled wireframe,” this new one was built one dimension at a time, but note that the implied distance with a size difference has already added a third dimension, so that the folded paper/space unites the three dimensions in what may be argued a fourth dimension. There is an outside-the-grid consideration with the text elements “year” and “ning,” which when fused become “yearning.” The distance between the two word-components is analogous to the distance between the two human beings depicted in the image.
A few decades ago the Phoenix Art Museum had an exhibit showcasing the work of Alexander Calder, who became famous for his Mobiles and Stabiles. The show included vodeo footage of Calder playing with doll-like circus characters he’d created from wire and cloth, and he was delightfully playful with them, e.g. making a growly lion-noise. The show also had some drawings of his that I at the time thought absurdly minimal and simple-minded. I remember muttering “He’s getting away with murder” when looking at a piece of newsprint of perhaps twenty square feet of area, upon which he’d drawn an arc across the width, and then placed a second arc near the middle, above the first arc and with points touching down near the fist arc’s crest. He might have drawn the arcs in a total of five seconds or so. Absurd, right? But he was demonstrating how quickly the human mind will convert the least pattern of line into anythin from a mountain sunrise to a close encounter of two spheres. In so doing, he informed my drawings, including this one.
One with Clay, Image and Text 