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On impulse I picked up an unfinished acrostic poem from my cluttered card table. I had just had a nap and felt refreshed. Great luck! The double acrostic was IMPULSE CONTROL. Impulsively I spent 45 minutes finishing the acrostic, no mean feat since the only word I’d written besides the bookending IMPULSE and CONTROL was “FDIC.” Greater luck! Impulse control, and the increasing lack of it, played a major role in the poem’s composition. Look at the lines and you will see that they start evenly, almost stodgily, and then get wilder as the poem rolls along.

The greatest luck of all was having just read an article about the plague of Internet trolls ruining things for everyone. Epiphanatically I realized I was writing about the ultimate, impulse-control-challenged, troll of all, the mad Tweeter King.

Three successive weeks last month I bought a sculpted heart from my friend Deborah Hodder, whose work was on display at five15 Arts on Grand Avenue. I asked her if I could use the hearts in my creative expression. She enthusiastically assented, and went so far as to suggest performance art. This post is a performance of sorts. One of Deborah’s hearts is in the image above, and it and the two others I own are in the image below, along with a bird I sculpted a few weeks ago.

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Here is the poem.

Impulse Control

Invigorate your system with a dose of cold Hi-C
Investigate your president as if FDIC
Mull Holland Mueller Malkovich and high-fived CEO
Meticulustfully to see how to and fro we go
Perhaps we grapple with a loss and cray-cray now and then
Upanishads and Spanish moss seduce a soul unpent
Let’s lift and drop and call a cop for grins or grim diss-honor
Seek chicks and sex and cello vex S Kubrick meets R Donner. O
Entre-penury of late is loose and on a roll
Engagement and no rules reveals the Season of the Troll

 

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Here are the boxed earthly remains of my younger brother next to an urn I made at the Thunderbird campus of the Phoenix Center for the Arts. I knew while I was making the urn that the odds of it being suitable as a vessel for Brian’s ashes were small, but that I needed the practice; and it is helpful to learn what doesn’t work, on your way to making something that does.

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First to demystify the title: decompressed, it is “You want to know what is REALLY going on? Are you SURE?” And a good look at the image reveals the title as well.

Would any of us want to know, on a level approaching omniscience, the nature of Reality? Scientists seem to strive for clues and answers along those lines. But it would take a fearless person indeed to cast aside presuppositions and wishes that things be a certain way, in exchange for unwished-for glimpses of Truth.

This is relevant to me now because, in my country at least, mythmaking propaganda is on the rise. It is not confined to a political party or a religious or nonreligious belief. Algorithms seek and find an individual’s way of thinking, and the exploiters who designed–or purchased–the algorithms then capitalize on that knowledge. In my own case, my internet feed sends me unasked-for “Art events in your area” information, and links to liberally-biased news items abound. The phrase “echo-chamber effect” describes this phenomenon well.

It is insidious and is dividing us. Since it also unites us into special-interest tribes, it is also well-nigh irresistible. So when I think of the questions I have posed, I get these answers:

Do I REALLY want to know what’s going on? Only when my thirst for true knowledge is greater than my fear of being uncomfortable, or horrified, or devastated, or suicidal.

Am I SURE? Paradoxically, I am more and more sure that it is dangerously self-destructive to be sure about almost anything. It is important, though, to choose basic precepts upon which to behave and act. So:

Harmlessness is a virtue. Hatred of fellow beings is poisonous. The most valuable currency is Quality of Life. The most valuable consideration is the use of one’s time while alive.

A few corrolaries to these basics are:

Black lives matter. Love of living creatures compels Goodness and Mercy. Every precious moment is an opportunity. Self-awareness is vital to self-improvement.

Peace be unto you, my friends.

 

 

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Here is an “alternate Universe” version of a thing I did just shy of five years ago. It was in pencil and little of the acrostic poem was done. I made a copy of it, did some more peripheral drawing, inked it up, and added the complete (if occulted) poem and spot color.

Here is the poem, hidden lines and all, and acrostic line breakage disregarded for clarity:

Save the Lama for the Drama

Sown, when our flags and hearts are at half-staff
And self-appointed enemies would laugh
O, vested interests give pause. What for
Each involvement spawns esprit de mort
The Tragedies of living make us sigh:
How often pain seduces us to die.
E’en worse: to odd destruction we are led.
Lo: then more pained apocalypse ahead
Or altered consciousness or Disser A
Make head-in-sand-impostures take their aim.
A LOT of Aitch Why Pea Oh Ex Eye A.

Note: Aitch Why Pea Oh Ex Eye A spells Hypoxia, a condition of not enough oxygen delivered to the brain, inducing symptoms of blue-faced hallucinations.

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Two people, or maybe three, or maybe two at different times. A defective chess board, or maybe a more perfect, cruciality-driven meld of game and life.

Most of this was done late December 2018. Today I made modifications. It is not new for an artwork to change with time: the whole film medium depends on that dynamic. Here you have documented static and dynamic, with two specific, but not too specific, times.

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Once upon a time, in the William C. Jack Elementary School library, there was a book of mysteries for children that was edited by Alfred Hitchcock. In it Mr. Hitchcock stopped a story in the middle and told his readership that they had just been given a clue. That’s all I remember about that book, but it did lead me to another, also edited by him: STORIES THAT SCARED EVEN ME. For some reason, after I “not finished/finished” this drawing, I thought of that book. I also thought of my friend Manuel Paul Arenas, whose writings favor the macabre. I thought that it would be nice if Manny wrote a story for which my drawing is the perfect illustration. I haven’t asked him, and he probably has better things to do, but that was my thought.

 

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I made these around the end of 2006 and the beginning of 2007. My mother acquired them, probably as gifts from me, and while my Aunt Diane was visiting this weekend and making Mom’s home more livable, she saw a box labeled “Gary’s Pots” and when we opened it there they were.

Mom is keeping the leftmost one, and at her direction I’ve put it in the middle of her dining-room table, for future use as a flower vase. The rest will go home with me with Mom’s blessing.