“Glendale Bird,” 11″x11″x5″, ceramic sculpture, ca. 2002

Today I thanked all my Facebook readers who for me in the People’s Artist competition, urged them not to buy any votes on my behalf, and committed to posting an artwork a day for 10 days by way of thanks (and showing off). This is the one I posted today. I forget what I originally called it (it’s been over 20 years) but I think “Glendale Bird” is a good name because I am a loyal son of Glendale, Arizona, and the laser transfer on the bird’s flank is an image from the Great Seal of Glendale on the side of the Glendale City Council building that I took with my then-cutting-edge 3.1 megapixel camera in the early 2000s.

People who want to vote for me as the People’s Artist may do so once every 24 hours between now and May 13. If you are one of those people, and reside in the US or Canada, here is a link:

peoplesartist.org/2026/g-bowers

Please do not buy any additional votes for me! And if you do successfully vote for me, please let me know in the Comments section.

Thank you, Friends!

My sweetheart and future cohabitant Donna Sue Atkins has made some lovely beadwork in her day. When I posted some samples of her handiwork, one necklace in particular caught the eye of some of my readers.

See the one next to the heart pretzel on the right? It has a few nifty, cute skulls on it. Donna told me the skulls were expensive. “Darling,” I replied, “I will make you some out of porcelain.”

So I have begun to try, and it is not as easy as I thought it would be. But when I do a few dozen they will start to be cuter and better; and when I make Skull #500 or so they will be necklace-worthy, and I will have learned more about skull anatomy and the manipulation of itty-bitty spheroids of clay. A fun adventure awaits!

my vessel was almost too dry

but it needed a trim job at the foot

so i secured it to the batt with ropes of clay

and trimmed away ticklishly, patiently

..

now the trim scrap looks like an artist’s concept

either of the oort cloud or of an electron Shell’s

probability distribution

and i rejoice in my connection

to the minuscule and the vast

I have just received a super-nice item of validation as an artist, courtesy of Johnny Depp and his “The People’s Artist” artwork competition. Upon completion of the artist’s profile they sent me, they sent me a nice image, and I want to share it with you:

Image courtesy of peoplesartist.org

I know I will not win the competition–there are dozens of artists even within my circle of friends who are more deserving–but it’s nice to feel like I am still a part of the scene. I have the same sense of rush I had in 2006 when superstar sculptor Kurt Weiser not only put me in a show he was hurting but awarded my 3rd  place in the 3D category. And since I have that piece in the front room of my apartment I’d like to share an image of that as well.

I hope your day is going well as well, Friends!

..

Update, 10:46 AM: I have just received a “Vote for G Bowers” link for anyone from the US or Canada who wants to vote for me.

peoplesartist.org/2026/g-bowers

I hope I get some votes, but a) there is no way I will win b) if you have read this far, I have already received the most meaningful vote possible, which is your time spent sharing my adventure. Humble thanks!!

The Good Guys have Jiminy Crickets

The Bad have Imps of the Perverse

And have us subverting

Binge-eating and blurting

Some filterless joke or a curse

The Imp on my shoulder suggested

I make fun of Andy Devine

So straight to the Kremlin

Went Froggy the Gremlin

And gave Comrade Khrushchev a spine

The Imp trips me up on the sidewalk

With a crack of an eighth of an inch

When my saddle fell off

With the modestest cough

The Imp told me “That was a Cinch”

And now Imps sit pretty in Congress

And havoc is wreaked in the Senate

The Head Imp and Pesk

At the Resolute Desk

Flips my swi

Author’s arm, 29 April 2026

unsame arm

at 8 years of age

it lay on the slanted top of a 3rd-grade desk

and its owner stared at it

wanted to remember it for the future

it was hairless satiny smooth

had a hand with stubby fingers

at 12 an allergist’s nurse made tiny wounds on it

in two rows

and painted the wounds with different stuffs

to test his allergic reactions

and strawberries cat dander and brazil nuts blazed

at 26 he did industrial deliveries

in a beat-up blue ford pickup truck

and he liked to drive with the window down

and rest his arm on the window ledge

and let it fry in the desert sun

in the days before sunscreen

at 53 he pedaled his bicycle at high speed

east on the sidewalk and cobblestones

by camelback road

when at once a jeep cherokee sprang from an alley

and he squeezed the front brake before the back

sending him over the handlebars

and into s l o w m o t I o n

and in that protracted split second

he watched his forearm kiss cobblestones

and slide on them

burning off epidermis

before he could react

here and now and four months and a day

before his seventy-second birthday

the old man looks at his old arm

which like he is battered but serviceable

the road rash has slowly healed over sixteen years

with scar tissue now comprising only 20%

of the original wound

and in the 63 years since the 3rd grade

his left arm and hand has thrown hardballs and darts

embraced hundreds of friends and a dozen lovers

combed his hair from shoepolish brown

to silver-glinted grey

and molded and vesselized tons of clay

and let the clay and the lovers and friends and sun

mold him as well

Start with a ball of soft clay about 3 inches in diameter. Roll it into a coil the width of your wedging board. Twist the middle so you have two equal-size pieces. Put one aside and roll a coil on the other so it is the width of the board. Twist in half; put one half aside; roll the other the width as before.

Go to your potter’s wheel where you just wired a vase off the batt. Spin the wheel slowly and use a wood knife to create your Rock Star’s plumage by gradually scraping the disc of wired-off clay toward the center of the wheel head. The clay will fold and texture and when you reach the middle it will separate from the batt.

Use the largest coil to sculpt torso, guitar, and head. The next size coil makes the legs and the last makes the arms and the rock star’s halo. Do not take more than 25 minutes.

Your effort may look crude but 90% it will be rock-starrish. The more times you do it, the larger and more refined your rock band will be.