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A doodle became a roselike flower. One of the leaves refused to be filled in. I pretty much sat back and watched as pretty much everything BUT the albino leaf got filled in. It ended up whimsy, with the punchline of a joke I heard fifty years ago as the last word, and not-whimsy, bringing up the issue of the genetic cards we get dealt.

pigmentlessness
oft afflicts
when the Trickster
interdicts
normalcy
with biobleach
chromosomal
underreach
did it choose to be albino?
it’s a hybrid: elephino.

There’s a poetry interpreter out there who looked at Pablo Neruda’s “Si Tu Me Olvidas” (“If You Forget Me”) and broke it down stanza by stanza, relating the words to Neruda’s European exile and his pursuit of Wife #3 while touring the continent with Wife #2. I owe most of what I know about Neruda so far to a few poems I’ve read, and the blog post about “Si Tu Me Olvidas.” So I don’t feel qualified to acrosticize Neruda; but I did do a portrait with some possibility.

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Less than an hour ago “In a relationship” became “In a domestic partnership” in my Facebook settings. Some hours earlier my partner, Denise, made a lovely blog post, about our trip to the Pinetop-Lakeside area, in which she referred to “My partner, Gary.” (Here’s a link to that post: http://aintnoninny.wordpress.com/2014/10/25/autumn-in-the-white-mountains-apache-country/ ) So we have made our partnership semi-online-official.

I liked the idea of slicing Relationship into Relation Ship. Sometimes there is a ship to steer, and for sure there will be chopwater, sandbars and squalls to navigate. Much depends on choices of battles or compromises, the rheostat setting of respect, and the prioritization. Denise and I have a long way to go. But we have come a long way together as well, and love is there.

Here are the words to the double acrostic:

Retro-fitting tastes & likes
Efforts, ventures, dips & spikes
Leaves a couple mixed to match
Applesauce with kaffeeklatsch
Tenderness & tetrazzini
Intimacy conjures djinni
Offline lovers loop the loop
Nestled in the Primal Soup

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A duodecahedron is a twelve-faceted figure, each facet of which is a pentagon. It is one of five volumes possible in our Universe that has sides made up of the same “regular polygon” (sides of equal length and interior angles all equal). The other four “Platonic solids” are the tetrahedron (four facets), the octahedron (eight facets), the ocosahedron (twenty facets) and the hexahedron (six facets). The hexahedron is much more commonly known as the cube. And the duodecahedron is much more commonly known as the dodecahedron.

HEY, WAKE UP!!! That goes for me too. Sorry to throw such dense Solid Geometry into the mix so early, when the subject really is Testicles.

Testicles occur mostly in males. They are responsible for the manufacture of DNA-headed wiggling bioforms known as spermatozoa. Figuratively, Testicles are a symbol for male bravery, integrity, and effrontery. The word testimony is rumored to derive from the notion that in Roman courts, witnesses swore, not on their honor, but on their manhood. The hand that in American courts goes on the Bible went, so the rumor goes, elsewhere when a witness was sworn in.

In my drawing, the fellow in the tuxedo standing on one of the facets of the duodecahedron, looking somewhat like Antoine Saint-Exupéry’s The Little Prince, only with a goatee and a number of girls clinging to him, is Valley of the Sun poet and impresario Ernesto Moncada. He is also known as “Ernasty.” I have drawn him to metaphorize the idea that he is a Chick Magnet.

Ernesto showed up on my drawing unexpectedly, but as it turns out he is absolutely essential to this image/text. Some years ago at a poetry reading I saw Ernesto recite and perform a lengthy Paean of Praise to, of all things, his testicles. Cojones. Huevos. Balls. He rang many changes on descriptions of his testicles, and you could almost hear them clang. He had the audience laughing, gasping, and OMGing uncontrollably. His performance compelled me to do a page on him with the double acrostic ERNESTO MONCADA/THE POTENT FORCE. Interested parties will find the page in my chapbook LIVES of the Eminent Poets of Greater Phoenix, Arizona (Vol. I).

Years later, this morning in fact, I imagined a remake of Sam Peckinpah’s BRING ME THE HEAD OF ALFREDO GARCIA starring my colleague in poetic ribaldry. It would be called BRING ME THE BALLS OF ERNESTO MONCADA. You might say that with this page I have brought them to you, and to the world. World, you’re welcome.

Words:

Difficult whilst dining on a plate of fresh Fatoosh
Underwriting policies & playing Scaramouche
Omnipresence brings with it a need to act unscripted
Dune & Brashstreet now require a qualified encrypter
Evangelicals still YES! as skeptics NO! NO! NO!
Custom-facet everyone & all will be très bon

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Here is the last of my “Notes from Abroad” pages, on the underappreciated and tragically elsewhere Nick Drake. It is not the first I’ve done of him, and it won’t be the last. See brytermusic.com (the official website of his estate) for more on this remarkable songwriter/musician.

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The photo source for the hummingbird was provided by a resident of the retirement community where I work. She modestly declined to go photo-credited.

nectar in a spoon

wingbeats improbably rapid

the quick and the still

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Here is another of my “Notes from Abroad,” done out of town and without access to a flatbed scanner. It is hard to read and to view.

At top right is the famous Einstein quote “God does not play dice.” Just below that Neils Bohr replies, “Einstein, stop telling God what to do,” as good a rejoinder as they come.

Under the quotes is the Halve Faith acrostic:

Heartache pulls to half staff

All the flags/and Melancholia

Leaks auburn. Stealth/& I

Vie quietly to mark with tags/What

Either/ordinaries yield frail health

Under and to the left is the Half Fate acrostic. I hope it is legible enough to read. If not, please let me know via comment and I’ll reply with a transcription.

Here’s a sonnet from 2008 based on a managerial nightmare I lived through in 1996. I had just gotten to the point when I could look back with amusement on those days when I’d wake up five days a week grinding my teeth and dreading the workday to come. It took 12 years, but it took well. [smile]

Meticulousness runs from stem to sternum
In certain Middle Magistrates. Such folk
Cry foul at Boo-Boos soon as they discern ’em;
Reek of their daily egg whites–that’s no yolk.
Of course they trust their hardcase reputation’ll
Manipulate their workers to docility.
Alas, instead, Psychosis Motivational
Nit-Pickery makes flare into Hostility.
An agile Agitator’s often stepped in
Gainsaying claims of fairness by The Boss;
Emotions sizzle–nuance may have crept in–
Mud, slung in haste, wreaks Havoc, Fear & Loss.
ENsuring Workplace Harmony’s a chore–
The bossing style that wins is–Less Is More.

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Here is a page that has been unfinished, hanging fire, for more than half a year. I would look at it over and over again and despair that it would forever be unfinished. It needed more pop–“Pop” Cornwall and POPcorn Wall were not enough. Finally today, October 20, 2014, rolled around. Today is what would have been my father’s 81st Birthday, were he still among us. At last–more Pop! (I never called him “Pop,” though. It was always “Dad” or “My Old Man.” And if you ever want a good cry, go to YouTube and find John Prine, or even better, the original songwriter Steve Goodman, singing “My Old Man.” I’m going to do it right after I post this.)

Today Laura, the human owned by Lena Furbena, gave me another picture of her. I used it to fiddle with an old nursery rhyme. Part of the fiddling was to remove the reference to a fiddle, replacing it, sort of, with a ukulele.

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I’m delighted to report that Lena has accepted my Facebook friend request.

Here are the words to the retooled rhyme:

Hey dilly daily,
The moon’s ukulele
No-handedly played for the spoon.
The little dog’s distance
Due to nonexistence
Was deemed by the cat quite a boon.

What did the uke play to the spoon? Why, “Some Enchanted Evening,” of course. [smile]