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Today’s National Poetry Writing Month prompt urged us poets to look at a poem in a different language (Dutch in this case, for the curious) and write a poem based on a phonetic transcription of the poem. Friends, if you ever want to get Outside of the Box, this may well do it.

Original excerpt:

Federatie Loog Nog Steeds

We zijn zo gezien
Klunzig vuursyteen om
machten te maken langs onze
Geraasd in…

(Note: I tried to access the rest of the original pome but got a “404 Document Not Found message. Provisional apoogies to the author.)

My poem:

Federated Loogie Knocksteeds

We zing so frickin’ gassy
Clumsy fugs staying home
mocking the mockers’ long-ass Weejuns.

Geroff instantly.
you Afterthoughts,
or Gentle Men
will cease.

Crazy World, isn’t it, Friends?

Today’s National Poetry Writing Month 2020 prompt was to write a poem related to objects found during a walk.

the meanderthal

a real-time archeologist
plays ambulatory tic-tac-toe
through the weakly-violated Cartesian grid of greater Phoenix Arizona
and collects
a Lug-Nut, a single Bristle from a Street-Sweeper,
a Tiparillo-Holder with Octagonal Cross-Section,
a Plastic Bottle-Cap with Grip-Ribbing, and–
O MY GOD!–a 1933 MERCURY DIME.

2020 9419 the meanderthal

elation is displaced by S O R R O W
when the archeologist intuits
that the dime was left
deliberately by a
woman facing Death
who had no further use for it.

For Day 16 of National Poetry Writing Month we are supposed to write a poem full of overblown superlatives in praise of somebody or something..

glory bee

beatrice the hearts are thumping
all for you around the earth
sheep are bleating joints are jumping
all proclaiming all you’re worth

listen to the canyons howling
fox hyena wolf and dog
even bathrooms start unscowling
toilets here and yon unclog

we’ve been well and truly goddessed
basking in thy benediction
glory bee though thou art modest
thou’rt the stuff of science fiction

thou’rt the stuff of epic poems
thou’rt the stuff of stovetop stuffing
thou’rt the awe of sherlock hoems
and thy pornstars need no fluffing

giggling thou art windchime musicks
casting spells with merlin’s magicks
half-and-halfing tea and mueslix
kissing off cyanophagics

bliss away our deepest sorrows
tiptoe through our thirsty psyches
aphrodite our tomorrows
fleet our steps with golden nikes

Today’s prompt: “Today, I’d like  to challenge you to write a poem inspired by your favorite kind of music. Try to recreate the sounds and timing of a pop ballad, a jazz improvisation, or a Bach fugue. That could mean incorporating refrains, neologisms and flights of whimsy, or repeating/inverting lines or ideas – whatever your chosen musical form would seem to require! Perhaps a good way to start is to listen to your favorite piece of music and “free-write” for the duration  of the piece, and then use what you’ve written as the building blocks for your poem.”

freewrite prep:

sometimes jackson browne is easy listening
sometimes less so despite his oiled voice
“lives in the balance” is masterfully unsettling
“sky blue and black” makes me cryabit for the loss
of my so great friend
but it is good to be uneasy
it is even good to wallow
as karen said she did
while playing beethoven’s “moonlight sonata”
which she said left her sopping
and jackson browne now sings
“if you ever need holding
you’re the hidden cost and the things that’s lost
in everything I do
YEAHHHH, and i’ll never stop looking for you…
that’s the way love is”

and the way love also is
is quicklikeabunny goneinaminute
when it’s at its best….

****

Geez Louise, did that open up a vein. All right, then, let us begin.

Uneasy Listening

In the course of one day
The mix tape may lull
and then excite
and then inspire
NEED A SKETCHPAD A PENCIL crankcrankcrank

and then the music fades without loss of volume
Because focus Because otherrealm Because it does not fit
AND Then there is a bit of discontinuity
And THEN the music returns to the ear

and the sequence is off
and the mood Doesn’t match
Through no fault of the performer
nor the receiver/it’s just a jump cut/that’s life

find McCartney/Lennon/Billy Preston/georingo

GET BACK
GET BACK
GET BACK twear youonce blongd

twiddle that dial
no–Why So Sirius?
Seek The Specific
Heal The Unease
find Jackson Browne
and let him sing for both of you:

I’M
ALIVE

And then get centered with Mitchell, Joni
with the roundabout
cyclic delight
“The Circle Game”

Gooooood…

And then Prine
Lost-But-Not John
“When I Get To Heaven”

smoke em if ya got em John
we love you
have a Vodka Ginger Ale for me

Ease
Restored….

Friends, I’ve written a poem a day in April for National Poetry Writing Month 2020, but this is the first one I’m sharing here. I may post some others, or do an “anthology” in a future post, but here’s this one for sure.

Each day there has been a prompt. Here’s a copy-and-paste of today’s:

“Our optional prompt for the day is based on the concept of the language of flowers. Have you ever heard, for example, that yellow roses stand for friendship, white roses for innocence, and red roses for love? Well, there are as many potential meanings for flowers as there are flowers. The Victorians were particularly ga-ga for giving each other bouquets that were essentially decoder-rings of meaning. For today, I challenge you to write a poem in which one or more flowers take on specific meanings.”

And here’s what I wrote, and originally published about twenty minutes ago on my Facebook timeline:

****
the fickle delphinium

i blossomed and woke up in a crop
of my bachelor’s button brothers
who had yet to bloom.
“pardon my dust, buds,
i am going to work my magic
and go look for love.” with that
i shook the potting soil from my roots
and went mobile.

almost immediately i saw HER.
Great Horticulturist, but she was
as pollinatable a thing
as ever tickled Georgia O’Keeffe’s fancy.
but by the time i got there
some showoff hollyhock was already sidling
and giving me a sidelong sneer to boot.
didn’t matter. i moved in.

soon we three discovered
how fickle a flower could be–she played us,
dismayed us, and stem-to-stern near-flayed us.
she LOVED being fought over. she could use
a simper like a whip, a sigh
like a blowtorch. “cage match, boys,” she half
DEMANDED as she sun-seekingly spread.
“winner take all.”

well, he had the brawn, but i had the wit,
the speed, and the wherewithal. got in
some sepaljabs and jabbered into his
pistil-holder, “dude! bet you don’t even know
what rhymes with delphinium!”
“like i give a steermanure,” he growled.
“you should, holly hock-a-loogie. delphiniums
LOVE poetry.” i twined off a petal of his.

“she loves you KNOT.” i queen-anne’s-laced him
to the soil. he was melbafied. (toast.)
WOW, was she ready to cross-pollinate. I found
that her breathy oxygenated coo jazzed me more
than a swarm of bees. “i DO love Poetry,” she cooed.
“what DOES rhyme with delphinium?” uh oh.
NOTHING does, according to the rhyming dictionary!!
think fast, buttonhead!!

“my darling, my dearest delphinium!” one line down,
four to go. retrofit!!! “i see you’re….deLICIOUSly…”
whatwhatwhat–AHH! “,,,SKINNY! YUM!” (whew!)
dammmm, was she throwing pollen!! the scent
was flaring my petals!! “a blossom so lavish/i’d
LOVE to enravish…” NOW WHAT??! void! blank!!!
–AHA!! “let us DUST UP a posh CONDOMINIUM!!”
and, though fickle as hell, she was thus made mine.

****

Hope you have an April-Flowery day, Friends!

2020 0409 nadine swag

This gorgeous collection of printed matter and other miscellany is “merch” if offered for sale, “swag” if given away. But it is neither. I didn’t buy it, but I earned it. Valley literary lioness Nadine Lanier incentivized full participation in a challenge she called “Pandemic Poetry Prompts” by promising a bag o’ loot to the “winner,” i.e. the person (or, as it turned out due to the perseverance of our poetry colleague Suzy Jacobson Cherry, persons) who hacked their way through all twelve prompts.

One prompt was “start a prose poem with ‘The last time I saw __________,’ filling in the blank with a famous actor. Here’s what I did with that:

****
The last time I saw Robert Duvall

The last time I saw Robert Duvall he was shape-shifting just like the John
Carpenter movie and he was Boo Radley then Tom Hagen he was THX-1138 and of course the Great Santini and the napalm sniffer but then he shuddered and fell into a
myriad of bit parts

****
Another prompt asked for a send-up of the song “My Favorite Things” from The Sound of Music, using the pandemic as subject matter.
****
safety first

latex and sani for doing our tasking,
mucus confinement with bandanna masking,
six feet or more so we do not infect
these are the steps we may take to protect.

empty arena and echoful stadium
radioactive as simon-pure radium
concerts and renaissance fairs we reject
these are the steps we will take to protect…

bright pink carnations alone in the garden
walk with our doggies and moods will unharden,
internet Porn (within reason) select
for a good time that will also protect…

when you’re sneezing
use a tissue
do not touch your
face
preserve your life liberty smilies that way
and then you’ll amaze
with grace

****
But the toughest challenge was the last one. Nadine asked us to write an Ode to the Coronavirus. And by Ode, she didn’t just mean any set of words in tribute to someone or something; she meant for use to use a Pindaresque Ode framework for the poem. And she suggested, among other things, to check out the Odes that John Keats wrote in the year before he died at 25.

THAT was a chore. That was a brain-buster. Iambic pentameter with rhyme scheme ababcdecde. Multiple stanzas. Compounding this is the grim fact that there is nothing romantic about COVID-19.

So I got to work, and it took hours for the first draft, and more time for tweaking. My finished product sounded preachy and too-much-information-y. But I did meet the challenge, and the poem does have its moments:
****
Ode on a Capricious Turn

The oral airway launches with a sneeze
A seed of plague, and someone breathes it in,
In time it gets once-healthy lungs to wheeze
With killing fluid. Then the gasps begin,
And oxygen exchange becomes diminished.
The interstitial stiffness does the honors;
The muscles tire. Necrosis is the thief,
And absent intubation, someone’s finished.
These days have turned some Grinners into Goners,
And Joy has been transmogrified to Grief.

Unlike the flu, this thing has no vaccine.
It is, no joke, breathtakingly contagious.
It’s spread throughout the planet. It’s obscene
How groups STILL congregate. It is outrageous!
A family of nine ALL go to shop!
A church in deep denial STILL holds service!
The haircuts! Mani-Pedis! Kids in playgrounds!
The deaths will mount, and MAYBE then they’ll stop
Or will they still “No worries–I’M not nervous…”
And take their trade from cancelled flights to Greyhounds?

Some say “Game-changer,” but this is no game.
This is The Reaper. Serf to Antoinette
Will many fill sarcophagus’s frame
Who play the chancy Russianesque Roulette
And think their age group makes for them a shield
Or, fatalists, decide their number’s up
No matter what they do. They shrug. DON’T lave
That lathered Twenty Seconds. Thus they yield
In cowardice, with hemlock in a cup,
And TAKE SOME WITH THEM to a needless grave.

Each day that passes, and you’re symptomless,
Thank all the gods that be, and some that aren’t,
That you have easy breathing, the largesse
Bestowed by Whom declined to serve the warrant.
Please KEEP it that way, People, with your actions,
With prudent practices and social distance,
And be the after-deluge still-here crew
Enjoying your survivor’s satisfactions,
That gratifying Seek a Stolen Kiss dance,
That Earth Inherited. It’s up to YOU!

****
As mentioned, my friend Suzy also did the twelve-step obstacle course, and she did it admirably. Nadine promised us both some book-goodies; and we also read some of our poetry by invitation at a Zoom event conducted by Phoenix Poet Laureate Rosemarie Dombrowski. (Zoom is, forgive the phrase, really taking off as the means of choice for not-in-person get-togethers.)

Per Social Distancing protocol, then, a few days ago there was a knock on my door, and I waited ten seconds, then opened the door. There was not a soul in sight. I don’t even know if Nadine delivered the goods personally or had it done. (It would’ve been nice to see her smiling eyes above whatever mask she was wearing, but Better Safe Than Sorry!) And–LOOK at this stuff! Can’t wait to read The Martian, which I enjoyed immensely as the movie with Matt Damon, but have yet to enjoy as the original novel. And–anthology chapbooks galore, fizzing with local academia! And a beautiful wine-colored T-Shirt emblazoned with “Virginia G. Piper Center for Creative Writing”!! Even a ROLL OF TOILET PAPER, which due to panic buying by “Covidiots,” is in frightfully short supply here in the Valley of the Sun! Bless her!

Nevertheless, the next time I get an invite from Nadine to rejoin her Tribe and jump through her prompt-hoops, I intend to say, with a straight face unless I am wearing a mask, “Nay, Nay, Nadine. Unless you want me to write a Persona Poem from the viewpoint of a horse. Then I shall cheerfully write ‘Neigh, Neigh,’ Nadine.”

Thank you, Friends, for reading my Bad Pun of the Day.

And, Nadine, thank you for helping me become a better poet!

2020 0128 jess

Two days ago on Facebook I posted a Bad Pun Brain Teaser. I asked my audience which John Denver song was the favorite of Belfast resident Leland Finn. I added that the first person with the correct answer would be the subject of a custom-crafted, illustrated acrostic poem. The acrostic would be a pun on some form of the winner’s name.

Quite soon after I posted, Jessica answered correctly with “Leaving on a Jet Plane.” Friends, please take a moment to try to deduce why Belfast resident Leland Finn would regard “Leaving on a Jet Plane” as his favorite song.

Got it? No? Well, Jess DID get it–that the (nonexistent) Leland Finn, also known as Lee Finn, might love airplane travel so much that “Lee Finn on a Jet Plane” might tickle his fancy.

Anybody groan with displeasure? I did, again, and I wrote the damned thing. It is not just a Bad Pun–it is a WRETCHED Pun. But it made a good Brain Teaser for the agile brain of Jessica “Hot Jess” Ballantyne.

So a deal’s a deal, and Jess, Congratulations, and I hope you like it!

Won’t You Be My Ballantyne?

What a Pleasure ’tis to B
On a Role with scones and tea
Ne’er a Worry e’er a Thrill
‘Tis a maid with looks to Kill
Yesterday in Slam’s arena
Awesome Tactics meat and Vegan
Bittersweetness to a T
Esoteric artistry
May this Worthy Lass long reign
Young and gleefully Insane

 

20200126_093148

out of respect and admiration for the subject of this post, valley performance poet bill campana, lowercase will be used throughout, in the style (if not with the astonishing wit) of bill’s outstanding poetry.

bill took me to breakfast this morning. it was part of a deal we’d agreed on to put a ceramic vase i’d made, and bill had seen in my blog post “foom-bozzle-wozzle, part 3,” on long-term loan to bill. it is now in bill’s possession, and i’m proud as can be.

bill and i go back more than ten years, back to my early days of poetry performance, when i was still nervous as a long-tailed cat in a room full of rocking chairs, and bill was supplementing his income with serious money earned by winning poetry slam competitions. in 2010 bill was the host of a the open-mic poetry event “sound effects,” and in may of that year he decreed that may 2010 was “gary bowers month.” that decree incentivized me to write, and perform, some of my best poetry.

pondering why he “gary bowers month”ed me way back when, bill attributes it to impulse: “i just did it.” but once he did it, he stuck to it, and riffed on it, and made a real something out of his impulsive throwaway thought.

and that, i think, is some of what makes his poetry enduring and deep, and much more than funny. under the hilarity is solid structure and soul.

as for the breakfast, at the ranch house grill on east thomas road, it was magnifent. we both had the signature dish of the day, a pork chili verde omelet, with hashbrowns and toast–i had sourdough and bill had the rye. conversation bounced around from bill’s grandfather, to lingering terminal illness, to personal health, to connecting with grade-school friends, to books, to the three stooges, to lou grubb and his progeny, to local tv persomalities, and on and on. one of many interesting facts: in the first grade, bill read thirty books. by way of reward his teacher sent him a fancy book, and inscribed it “to william.” it was a book about dinosaurs. so bill was into dinosaurs long before “jurassic park” roused public interest in them.

i am going to rent a car and take bill to the matt’s big breakfast on 32nd street and camelback a couple of weeks up the road. “we should do this more often,” one of us said, so we will.

2020 0118 christy

This is Christy White. She is now, and has often been, the President of the Arizona State Poetry Society. Sometimes she has been its Treasurer. I have known her for about ten years, and a few times I’ve participated in poetry-sharing meetings she has conducted at the Mustang branch of the Phoenix Public Library. We see each other at spoken-word poetry events as well, both of us being enthusiastic participants in open mic.

Early last October Christy asked me if I’d be willing to be a featured “Poet/Artist” and cover artist for Sandcutters, the poetry anthology that ASPS now produces annually. I was glad to agree, and I invited her to harvest my blog for whatever she thought would be fit to print.

Yesterday, Saturday, we met at the Arizona Center, at Cold Stone Creamery, so that I could treat her and myself to a sundae, and she could treat me to the 2019 edition of Sandcutters. Christy had the Apple Dumpling Sundae, and I had the Chocolate Delight in the I Love It size. (I did in fact love it.) We talked about poetry, personal histories, The Vagina Monologues, Neil Diamond, Elvis Presley, and this and that and other things for about an hour. Christy is a spellbinding storyteller and her playfulness is complemented by a beautiful, mischievous grin.

And we took a couple of pictures, I of her and her of me holding her anthology featuring my artwork and poetry, and the poetry of a host of creative, talented people from across the country as well as from the Valley of the Sun.  Teens and oldsters, New Yorkers and small-towners, all participated–it’s a wonderfully diverse crop.

2020 0118 gary

Here I am on Page 142:

2020 0118 bird

There’s more of me, and MUCH more from about five dozen award-winning poets, between the covers of this fine publication. The hard work that Christy threw into the book shows on every page. And it can be a fine addition to YOUR library for the unbelievably low price of Nine Dollars US!!! If you’re interested, please go to http://azpoetry.webs.com. Or if you’re in the Valley and want a free sundae to go with your purchase, let me know with a reply to this post, and I’ll see to it!

Here’s a Stephen Crane poem in its entirety, courtesy of the Poetry Foundation:

 

A Man Said to the Universe

A man said to the universe:
“Sir, I exist!”
“However,” replied the universe,
“The fact has not created in me
A sense of obligation.”
****
Three things strike me, fifty years after I first read, and was enamored with, this poem. Third, the Universe is conversing with the man as if the man were NOT part of Herself. Perhaps the man feels lonely and he has codified his loneliness, and sense of rejection, into this imagined conversation.
Second, She has a voice. How does She speak? Does She implant thoughts in the man’s head, does She make air vibrate, or did She employ corporeal form à la Dr. Strange’s odd compadre Eternity, who resides in the universe of Marvel Comics? Or is the man imagining it all?
But first and foremost, the man addresses the Universe as “Sir.” I think he is wrong to do so. The Universe is forever gestating, creating phenomena without end. And all of Her creations are still in Her womb, for She IS the womb.
So, playfully-or-not, I reboot Crane’s notion, thus:
Gary Said to the Universe
Gary said to the Universe,
“Ma’am, I exist!”
Here is some proof:
20191223_064417
I finished that just this morning. And here are some vessels, Ma’am, made from your very own clay:
20191217_182750
Ma’am, I just want to say I’m grateful to be here.
And ask you: Did God make you?”
“Yes, we are,” replied the Universe.
“As to your question,
We can but reply
‘Here we are.'”
“I don’t understand,” I answered.
“You cannot understand,” She replied.
End of reboot, except to say
I’m neither believer nor atheist,
And this is Exhibit A.