Archive

Tag Archives: poetry

image

Back in the mid-80s I was in a bowling league. I was the second-worst member of a five-person team. Our two best bowlers were not only very good, but also wise to the ways of bowling-league success and, most vital to the discussion that follows, unscrupulous. They wanted a trophy in the worst way, and so in the early games they indulged in a practice called sandbagging. To Sandbag is to deliberately not do your best, in order to gain an advantage.

These fellows were shameless about it. One night one of them claimed he’d injured his bowling arm, and so he bowled with his other arm, getting, of course, bad scores for all three games. Other times one or both of them would ‘experiment’ with different grips or approaches. All of this stuff mysteriously ended at the end of that part of the season wherein a team’s handicap, or points automatically added to level the playing field of bowler skill, was determined. After that, our two stars bowled to the best of their ability, enjoying the extra points they’d “earned” by not doing their best. (PS: Our team won the trophy. I also got a patch for bowling a game 75 points above my average, which was a semi-dismal 150 or so. I feel that I earned my share of the trophy and my patch, since I was not a Sandbagger at the time.))

Now we come to the image above, my latest acrostic-poem card. It has good possibilities as a work of art, but the execution is rushed and slipshod, and the poem is needlessly confusing. I can draw, and have drawn, far better; I can compose, and have composed, far more coherent verse. Why didn’t I do a better job?

Well, I can claim that my time is severely limited, which is 100% true; and I can tell you truly that I did this particular card to provide a not-too-intimidating example of acrostic poetry, in order to persuade my fellow members of the poetry group Poets All Call to try acrostic poetry themselves. I’m also slightly distracted by the migratory lingering gout that has now settled in my right knee.

But the whole truth is, about this and many other cards I’ve done, that I COULD have done better, and out of respect for the concept, SHOULD have done better, but I simply CHOSE NOT TO, and shame on me.

Shame on me, because you, the viewer, deserve the best I can do in the presentation of my artwork: you are giving the most precious thing you have in the world, Time Out Of Your Life, to paying attention to what I’ve done. And I am grateful that you do so, and I don’t want to waste your Time.

So–what advantage do I gain by not doing my best? Foremost, I think, is the indulgence of my laziness. I have chosen to work only so hard and no harder.

Second, I’m getting older astonishingly quickly, and I have so many ideas and ideas are my strong suit, and if I don’t record my ideas they tend to evaporate on me. If I spend too much time on one idea it is at the expense of others I may record, and won’t.

Third, just like those bowling teammates I had, I hope to look good-by-contrast later. Blog Post #1000 is fewer than 75 posts away. I am hoping it will be the best thing I have ever done in my life, arts-wise. That post may well serve as the equivalent of a master’s thesis, or an application of upgrade from apprentice to journeyman status, or, time not permitting, my valedictory farewell . . .

Thank you for your sweet Attention, my friends!

Here are the words to the OK-but-not-great acrostic:

Silly humans! They don’t know

Amorousness. Tally ho

Finding out about a partner

Enters realms Erle Stanley Gardner’d

NOTE: Erle Stanley Gardner wrote the Perry Mason books. With this line I compare growing intimacy to courtroom trials, with their Objection, Your Honors and their And Is It Not Also A Facts. As for “safe word,” it is a neologistic phrase referring to a word a lover may use to indicate, no kidding, that the other lover ought to cease and desist whatever s/he is doing, pronto. The phrase became popular after the release of the movie Fifty Shades of Grey, which I have not yet seen.

IMG_20160425_091525

Friend, you can’t spell Brush without RUSH. If you can make your brush sing the way B. B. King made his Lucille sing, you are blessed. From the tortured ecstasy of Vincent to the Spatterday Night Fever of Pollock, Brushwork reflects the soul.

Bristles UP! Look out below
Releasing pigment we will go
Unleashing swath-razed ribs of color
So Life & Surface are unduller
Have havoc on a ferruled track
Hew HUE & CRY-EYE back 2 back

Go thou and do likewise, Friend. Brush up and have YOUR Brush With Destiny!

Mr. Joe Blow acts inappropriately. Those who know and love him shrug. “Oh, well–that’s just Joe being Joe.”

Sometimes we self-fulfill expectations by cutting extra slack for friends with failings. But my dear deceased friend Karen had a better head on her shoulders. When alcohol consumption had a negative impact on her musicales, she laid down the law: No More Booze. And she made it stick. And it was for the better.

We are not stuck with who we are. Not only might we reinvent ourselves, we might build ourselves. What can I do to make things better? is one of the most important things to ask.

IMG_20160421_081309

Wiggle in the eyedropper, euglena
Wait until ready for the multicell arena

Howl unto the moon–to madness cater
Have your way outlandishly, O Satyr

OR: lustrously become a nurse
Of this wounded Universe

IMG_20160419_130244

slicing darkness we despoil
poison taints our alveoli
overcoats & furs & bling
tee times free of Vijay Singh
tame the land & blame the rest
yes, we flunk the Ethics tests

Questions? Comments? Requests to stop repeating myself?

We are so much Creatures of Habit that it never occurs to us to say “organisms of habit” or “beings of habit.” We latch onto phrases that sound good and soon they become comforting cliches.

And we like our entertainment to be predictable as well. The well-wrought movie IN THE HEART OF THE SEA got a lousy Tomatometer rating, I think, because the story didn’t cleave to cinematic cliche of intro/rising action/crisis/payoff. So critics and other audience members couldn’t fit its square pegs into their round holes.

Episodic continuity is not only in our TV shows and comic books, it is in our daily/weekly/holiday life. When you get up and have your morning coffee, it is part of a pattern that, disrupted, adds to your stress.

IMG_20160414_092542

Entertaining shopping sprees
Picaresqueness with a breeze
If the sins of Prez or Rev
Slump, then check out Campbell, Neve
Or explore a tomb well hidden
Don’t heed curses–Carter didn’t
Each and every means employ
Effortlessly to enjoy

Word balloon 1: Egad, Elmer! Ecclesiastical Encyclicals! Enjoy!

Word balloon 2: Pablo, please palpate Pam’s peritoneum.

Word balloon 3: I ignite ingots, Ignatz.

Word balloon 4: Savoring salads sows salubrity.

Word balloon 5: Oh, Oliver, our Oleander!

Word balloon 6: Dear Diedre, Dastardly Dick’s dead.

Word balloon 7: Egad, Elmer–ecdysiasts!

 

Some time ago I wrote “the man in the shower is dying.” While I was taking a shower this afternoon, I thought of more to say, including a punchline that makes any further “man in the shower” sequels unnecessary . . .

image

the man in the shower returns

the man in the shower returns to his musing/obsession with dying and willful confusing;/he thinks as he’d done on that long-ago day/of the final release from the vertical fray.

then comes odd contentment, erasure of glower/as the spray hits his head in a shower sub-shower/and he pushes the knob, puts the soap on the shelf/–thinks “at least when I’m dead I’ll get over myself.”

aboveliness/belowliness

to damn or bless?
aboveliness
death from above
look out below
there’s hell to pay
the heavens know
belowliness
is not our lot
unless we live
neath whip or plot

IMG_20160412_094521

False duality plagues our thinking. Up is good, down is bad, right?  (Not if you’re in a hurricane . . .) To think of a sunset, a woman, or cesspit as pretty or ugly is to ignore most or all of the reality involved.

And we’re stuck with the notion that Above and Heaven, and Below and Hell,  are intertwined. If our distant ancestors had evolved underground, it might have been a different story, though not necessarily more correlative with big-picture reality.

If we manage to survive, and we resume our spacefaring ways in suitably expansive fashion, those who follow us will be more capable of shedding false duality. Zero-gee lends itself to a superior world-view to “this is Up and this is Down.” And, free of Earth’s false ceiling of sky, the three-dimensionality of our cosmos becomes evident.

Wish I were up there–oops. Wish I were OUT there . . .

image

to the memory of Stephen Crane

I saw a cigarette butt on the sidewalk.

It noticed the attention I paid it, and it spoke to me.

“In the far future,” said the butt, “No anthropologist, however brilliant, would be able to deduce the misery, desperation and willful neglect that I alone imply.”

I told the butt that that was no doubt true, but that not all of us smoke.

“It does not matter,” the butt replied. “I also imply, lying alone and discarded on the sidewalk, that there will be no far future, and no anthropologists.”